A Critical Analysis of Robert Doisneau’s Photography based on the Definition of Humour from Ubayd Zakani’s Perspective

Humour is one of the types of literary language that is based on contradiction and incompatibility with the system and mental conventions of the audience. With a reformist intent, the satirist shows the flaws and inconveniences of different aspects of life ridiculously and exaggeratedly. French photographer Robert Doisneau, who used a Leica camera in the street in the 1930s (Robert Doisneau) took pictures in Paris. He is one of the most famous and influential photographers of the twentieth century and is regarded as one of the pioneers of photojournalism with Henri Cartier-Bresson. They painted Paris in documentary form. Based on the content that has been declared, in this research I will review the definitions of humor and its types in humorous photography. In addition, the analysis of the works of satirical photography by the artist Robert Doisneau is done. Satirical photography from the point of view of satirical theorists is the understanding and creation of an artistic and critical image of the world, which is completely contradictory and contradictory, in a humorous format, without which satirical photographers and satirists, To forget the oldness and decay like every newcomer Therefore, the main goal of the current research are to examine and answer the question of whether it is possible to provide a definition based on humor by analyzing the bitterness in Robert Doisneau’s photographs from Ubayd Zakani’s point of view.