Analysis of carnival components in the "Havaye Tazeh collection" of Ahmad Shamloo (With the approach to Bakhtin's votes)

Mikhail Bakhtin with The theory of dialogism created a new space within the fields of literature, linguistics. One of the main characteristic of this theory is saying carnival the most striking feature, Removing formal boundaries and transform the origins of most of the institutions and discourses of power. So, Carnival using a tool such as criticism, satire, irony and ridicule, is working on concepts, rules and values of the society to challenge and the monologue to disturb and will emerge polyphonic society, with diverse dialogue. On the other hand, In contemporary Persian poetry, Ahmad shamloo is a critical figure Who tried in his poems, including collection of fresh air to criticize the political and social situation monologue and limited community of his time and the beginnings of the official culture of challenge and the boundaries of political, social, cultural and literary usual break. For this reason, The paper will be reviewed and analyzed, Descriptive and analytical review Bakhtin's carnival theory with critical approaches Shamloo will be speaking criteria. It seems a number of factors such as Mixed feelings, and taking advantage of the grotesque, according to the earthly dimension of human life, official crush and values imposed by society, denial of polyphonic monologue and praise Shamloo approaches consistent set of Havaye Tazeh.