Examining the psychological aspects of Isfahan style poetry and architecture from the perspective of Alfred Adler and Carl Gustav Jung's theory

Examining the psychological aspects of Isfahan style poetry and architecture from the perspective of Alfred Adler and Carl Gustav Jung's theory.

In this article, common psychological aspects of Esfahani style (Indian) poetry and Esfahani style architecture have been investigated.

The research method is library and its type is analytical-descriptive. After examining the characteristics and common psychological aspects of poetry and architecture of the Isfahani period, we have come to the conclusion that in addition to the social issues that affected poetry and architecture in the Safavid period, some aspects of psychology in this period also affected the style of poetry and The architecture of this period has left an impact. Among other things, due to the spread of poetry and art among the people and its departure from the court, signs of extroversion can be seen in the poetry and art of this period, and its representation is paying attention to the intellectual and imaginative tastes of the public instead of considering the opinions of the rulers.

This can be examined in the form of the "social interest" component of Alfred Adler's theory. This caused the poetry and architecture of this period to become general instead of being specialized and customized and developed based on the intellectual, imaginative and emotional taste of the public. Another common psychological aspect in the poetry and architecture of this period is the attention to beliefs and opinions that are presented as archetypes in the field of psychology and can be examined in the form of Jung's theory.

This aspect is also a result of popularization of poetry and architecture, and during this process, the common beliefs and ideas and archetypes of the general public of the people were manifested in the poetry and architecture of this period.