Analyzing the Representation of the Hierarchy of Authority in the Family; Case Study of Iranian Drama and Best Selling Movies from 2008 to 2018

The most basic issue in this article is to understand how the hierarchy of authority in the family and its changes are represented in social melodrama films with family themes that were best sellers in the period from 2008 to 2018. In the current study, based on contemporary approaches in the field of sociology of gender, an attempt has been made to consider power and culture as the key elements in the analysis of films, beyond male and female, to understand power relations in the Iranian family. To analyze this issue in the period mentioned in the research samples, John Fiske’s semiotics model has been used so that while describing the distribution of family authority in these films, we can take a long look at the hierarchy of family authority and its changes. The results indicate that during a decade, we initially see the presence of hegemonic and less hegemonic masculinity and emphatic femininity in these films. In the middle of the decade, the presence of resistant women is more visible, but at the end of this decade, i.e. from 2016 to 2018, hegemonic men and emphatic women are the most important pattern of distribution of authority in the family in these films. What is important in this article is to pay attention to a different aspect compared to the results obtained from previous studies.