Reviewing the Classification of Persian Poetry Formats and Introducing Some New Formats

The poetic formats of the Persian language have undergone changes and transformations in all historical and literary periods up to now; these changes have been in the two areas of content and structure. Breaking norms in the language and concepts of poems has caused the emergence of new styles and formats in the Persian language. But researching many poems of these poets makes it clear that there are still new formats in the poems of many contemporary poets that remain unknown and have not been given a specific name in the categories. The method of this research is descriptive-analytical, and new formats have been found, named and analyzed in the poems of five selected contemporary poets (Nima Yoshij, Mehdi Akhavan-sales, Fereydoun Moshiri, Nader Naderpour and Mohammadreza Shafiei Kadkani). The new forms- including New Tarkib Band (composite-tie), New Mosammat, Separeh (three pieces), Continuous quatrain and Continuous couplet- were added to the new formats: “Neoclassical” and  “Novareh”.