مجله مطالعات داستانی
سال پنجم شماره 1 (پیاپی 15، بهار و تابستان 1396)

Several examples of the “awareness and oblivion” myth can be found among different nations, tribes, and civilizations. This authentic theme is seen in the foundation of contemporary novels and short stories, like a repetitive motif.The aim of this study id to analyze an example of the “awareness and oblivion” myth in one of the stories of Iranian contemporary authors. The story of “Derakht-e-Golabi” by “Goli Taraghi” is the story of the narrator’s forgetfulness, who regains his individuality with the help of the story of the pear tree and the memory of the good old days. Goli Taraghi has implemented one of the most special and less known symbols of “pear” to bring back fertility and sweetness to the protagonist of her story. This return, however, comes with the recalling of the past memories. When the narrator should have valued love, he had attented to the matters of the outer world and politics instead. This has led to the “oblivion” of the narrator’s identity and has emptied his mind. The author recalls the memories of the garden and through this, he returns to his true self.

Teen novel "Canned Giant" by Mehdi Rajabiwhich is a fantasy genre was published in 2014. In this work three stages of the hero's journey occur in a subverted manner. The journey in this novel is not an outer journey by moving in places, but an inner journey that analyses the teenage narrator's psyche. By showing off the hero as prominent, Rajabi has created an intriguing and charming plot. This important feature has made the novel "Canned Giant" very close to the structure of Joseph Campbell's hero. In Campbell's "Monomyth", the hero's journey is reflected in a fantasy way. The static and dynamic elements of the novel are analyzed according to Campbell's pattern and adolescence isolation and fear are investigated. Enjoying fantasy element, the novel arises juvenile mental problems and then tries to solve them. Rajabi's effort to presentutopia through making the teenager a hero in his story – each one of them is the symbol and archetype of a certain type in evolution or in other words in the "hero's Journey"- has made the analysis of his fictional characters necessary from archetypal psychological perspective. The results of the study indicate that the frequency of "Seeker" character among fictional heroes of Rajabi is more than other archetypes that steps towards the land of "initiation" in his evolution and heroic journey and in facing the archetypes "Warrior" and Terminator" and with the help of the archetypes "Supporters" and by achieving their ideal goals they often step back proudly.

Short story as a slice of life of the main character, has restrictions on the use of elements of fiction, But the same structure and style is also evident in the use of these elements in short stories. " Najib Keilani" scholar, narrator, poet and critic famous Egyptian. He has a global reputation With a spirit of faith and commitment to ethical issues associated, in particular. And this prompted us to examine the elements of her short stories. . Due to the abundance of stories, three-story "Malak Al moluk" and "Alkafaat" and "Mavedona Ghadan," which is closely associated with the reality of people's lives and aspirations and sufferings of the people portrayed were selected and elements of the story in these three plants were criticized. Some results of this review indicate that he has simple style, flowing unpretentious and uses detailed description of the elements of the story, And He was able to increase the excellence and richness of their stories Show Moral and religious concepts and realities of people's lives. , ..

Stream of consciousness is a way of dialogue that has become common since the Late Nineteenth and early Twentieth centuries in fiction and attracted the Attention of most literary figures to it. It is one of the ways of saying by which the narrator - Author - takes advantage of it to further his own stories and Adventures that are in the heroes’ mind, or the major hero is going to tell the Readers so that the content of the hero’s conscious or unconscious is thereby transferred to the reader.This article tries to study on a representation of colorful aspects of discourse in “Altanturya novel lasting effect Radwa Ashour” from the perspective of Stream of consciousness. It further explains how to use it and analyze the formation, and describes the world of characters and the surroundings that there are in his minds. It is concluded that the author has employed different methods for describing the thoughts and minds of the story character.. It is concerned with the highest level of awareness and the level of logical thinking. In this novel, stereotypes dominated the chaos and logical systems of events replaced time dispersion Radwa Ashour employs theatrical monologue in the narration of her story and at the end he realizes that the “Altanturya novel is not within the stream of consciousness, however, some think.

Stories are among the most basic and important contents of Quran and a major proportion of the content of Quran is in the form of stories in order to enhance its efficacy as well as its aesthetic manifestation for the audience. Above all, its main role which is guiding mankind is shining together with its other contents. Therefore, stories in Quran are not artistic works independent of other main contents, but only tools among available tools to implement its guidance and educational purposes.
Joseph's story is one of the long stories in Quran which to some extent is regarded as a historical novel and includes all the elements of a novel which using an artistic expression has dealt with an important spiritual issue. In this story, incidents have been designed in such a way that a comprehensive structural analysis as well as a full-scale morphology can be presented. This study attempts to investigate Quran's aesthetic manifestation and miracle in the expression of Quran's contents applying the elements of a novel to and structurally analyzing the Joseph's story and to delineate important features of stories in Quran relying on this Sura.

Ahmad shamloo has a distinguished status among the contemporary poets Due to his stylistic and linguistic identity, And his role in the emergence of blank verse. Shamloo’s success in such a formal innovation in the structure of nursery rhymes and the use of symbolic and allegorical childish language to inspire his intellectual and emotional lebenswelt, and thereby stimulation and promotion of the communal emotions of the audiences (both children and adults) is considerable. Using Halliday's approach to discover the cohesion of his texts, we can rocognise aspects of his poetic language, its formation quality, and it's isotopy with his nursery rhyme's meaning and content. Considering the importance of the issue, this descriptive-analytic study, based on the Functionalism theory of Halliday, tries to represent the "cohision of text" through investigating nursery rhymes of Shamloo. The results have shown that, among cohesion factors of the text in Shamloo's nursery rhymes, endophora, repetition, collocation, and conjunctions have the most frequency. These elements show the referential role of poetry and textual convergence and cohesion of nursery rhymes and a proof of leading the audience by him through emphasizing and frequency.