نشریه تاریخ ادبیات
سال هشتم شماره 1 (بهار و تابستان 1395)

Zoology (Elm al Hayavan) is a branch of science that has been considered from ancient times (at least from ancient Greece) and also in Islamic culture after establishment of Bayt al Hekmah and formation of Translation Movement and translation of texts from Greek, Syriac, Sanskrit, various theses, relating to this subject matter, have been written (including al Hayavan by Jahez and Hayat al Hayavan al Kobra by Damiri). In this research after a short review on the history of the zoology books in Islamic-Iranian area, the author has tried to introduce the version of Manafe e Hayavan (written by Abd al Hadi Maraghi in the 7th century). In addition, by referring to the texts relevant to this area, the author has revised and completed many words and unfinished phrases which have been specified by the editor due to pale ink of the original version with full loyalty, and also the cases in which the editor has expressed his uncertainty about the authenticity and correctness of the words and phrases. Besides, new points about dolphin (lifeguard in some old texts) and pigeon of Bana (Varashan or plain dove in some old texts) have been presented in this research.It should be said that it is the editor himself who is more qualified than anybody else to recorrect the text.

foundations intellectual and mental structure of nations andsocieties reflect decreases in the brilliant literary and artistic works . collective unconsciousness is the storage of those feelings and experiences of dignity ages an so those sufferings arise from fears and desires and even unsolved contradictions which we do not want know of it because we afraid of getting defeated; we usually remained it with a nostalgically for weve lost it but constantly feel reviving of it in the nature of people and family kin an live in hope and warmth of it. Collective unconsciousness is not just a negative and archived data but it is an active essence in the deepest layer of people and family kin's thought and always tries to make a way to show itself. Shanama is the essence and the gist of Iranians pure thought that can be representative of humankinds as a whole, because it's concepts originate from myth which is the head-spring of human thoughts and life. In this article we try to consider some concepts of Shahnama according to the Jung's theory that is collective unconsciousness. Shahnama's concepts originate from the myth which is the source of the human thought and life. Its concepts can be read and analyzed in many different aspects. Man's insurrection against despotism like Kavah's rising against despotic Zahhak; Rostam's rebellion against Goshtasp's unreasonable demand and refusing of getting under arresting, again Rostam's worry care about his respect and reputation; justice and fairness or pleading for justice salvation by a heavenly force: Farrah, are some the several concepts which dealt whit in Ferdowsi's Shahnama; and are inspected according to the theory of collective unconsciousness.

Andiishe-ye door-o deraz (a high and far sighted mind ) by Mohammad Ali Foruqi (1927) is a narration advocating and contemplative from different aspects. Howevere it dosent suitably presents and studies. This article wills to point to position of this work in history of contemporary literature. This work is a futuristic narration and retells prediictiions base upon sciientific findings. Narrator in the beginning predicts technological progresses on modern age, then to point to argumenttative theory of evolution. He tries with this theory opens path up horizon to the future. And finally he relates biological evolution of the human to him moral and educational evelation.

Historical and cultural relation between Iran and Georgia began before the reign of the Achaemenid. Part of the Iranian epic and legendary works entered in Georgian culture in pre-Islamic age. A number of Persian works such as the Shahnameh and Vis o Ramin was translated into Georgian languag in the 12th century. However, Nothing is left but a translation of Vis o Ramin, and parts of the Shahnameh. Between 15 and 18 centuries, some of the masterpieces of Persian literature - mainly narrative and epic literature - was translated into Georgian . During the twentieth century, some of Persian literature prominent works such as Rumi, Saadi, Hafiz and Khayyam was translated into Georgian . persian literature has a significant impact on the formation and establishment of Georgian Literature .This impact both in form and content is well represented in Georgian literary masterpieces especially Shota Rustveli”s The knight in the panther’s skin” This paper defines the process of translating Persian to Georgian and introduce some of these translations .It is also Examines the impact of Persian literature on the formation of Georgian Literature.

Hans Robert Jauss (1921-1997) believed that history of a literary masterpiece not only the history of its creation, but also an important part of that is the history of their text and vicissitudes of its acceptability after its creation. It seems that this view help us to Rewrite the history of Persian literary masterpieces and lead to write a new generation of readable and attractive literature history books that are not boring. Hence in the present research we will show part of the history of Shahnameh in the first decades after the Islamic Revolution. To reach this goal we have researched in newspapers and historical documents and showed that how Shahname which was important text and Reflected the policy of ethnic nationalism during the Pahlavi dynasty lost its position in Islamic Republic. Some revolutionaries ignored Shahname and even sometimes insulted that. But after a few years this literary text could be a reflection of the ideology of Islamic Iran. In this article we will investigate why and how this happened.

Nearly a century after the initiation of critical correction of old texts in Iran and researchers’ effort in publishing Persian literature, there are old texts which have not been corrected and published yet. Critical correction and publication of these text are not only significant in itself, they but also provide the agenda for further research. Examples of such texts include Divan e Mir Moezzeddin Mohammad Mashhadi (1101), pen named Fetrat, Moez, and Musavi, who was a distinguished poet in Indian style and lived in the second half of eleventh century. This poet, though, was prominent and notable in his period, so far neither his biography nor his life events, which are present in numerous sources, shave been corrected. Or in spite of some efforts, no valid research has been conducted on his biography. His was born in Mashhad. After traveling to some parts of Iran, including Esfahan and having association with Saeb, equipped with intellectual ware of then set off to India. There, he became relative with Orang zib, king of India, by marriage and earned high-ranking political positions. Beyond high political standing, his role in arranging literary events was admirable. Only Divan e Ashaar, Safineh and some other works have survived from Fetrat .His divan is one of the most valuable and excellent work in Indian style which ,though, there are a number of authentic manuscripts, has not been corrected and published. The present study deals with Fitrat Mashhadi’s life, (writing) style, introducing manuscripts as well as explaining the significance of critical correction of his Divan.

Mashroteh movement, by making fundamental changes in political, social and cultural and literature changed the Qajar period. The factors such as the relationship with the West, itineraries, establishment of new schools, translated Western books and press provided modernity in Iranian people. This modernity affected on the poem poetry and prose of Mashroteh period. Since the study of stylistic is considered as the important methods of the analysis of literary works, this paper attempt to analyze Farokhi Yazdi’s poems in the tree levels of linguistics, literary and intellectual. In analysis of whole contain of the poems and in considering in linguistics and literary 50% of the poems; sporadically from first, mid and end of the anthology. In linguistics and literary part, amount of use of those cases mentioned by taking the examples and at the end a final analysis of the relationship of language and literary properties with poet’s thoughts presented.Finall to show the more accurate linguistic and literary properties several figures have been provided.

Rich Iranian literature has thousands of years of history which various sections of that require investigating separately. One of the most important of these sections is dialectal literature in post-Islamic period of Iran. In this paper we will show that how many books and how much dialectal data are episodically available among the old documents. Due to the dispersion of these data it is necessary to be collected systematic. It’s first step to plan the codification of dialectal literature of Iran. In this paper by collecting these data systematically we try to prepare a general plan of the resources which contains ancient lingual and dialectal data. With the purpose, we have divided the resources of this area into two categories: 1. the resources that contain dialectal data. These resources are divided into two categories again: a. the surviving works of Muslim minorities, including Gurani language (the sect of Ahl-i-haq (Yaressan)) and Astar-abadi dialect (the sect of Hurufiya). b. Dialectal poetry, poems and literary pieces. 2. The resources which contain dialectal words and Are therefore among the "varieties" of Persian language. These texts are divided into two categories orthographically: 1. Non-Arabic works, includes Hebrew-Persian, Syrian-Persian and Manichean-Persian texts. 2. Arabic works.