نشریه زبان و ادب فارسی
پیاپی 43 (تابستان 1399)

Muftah al-Talibeen is a valuable work of which there are only two manuscripts - one in the Ganjbakhsh Library of Pakistan (No. 2853) and the other in the Library of the Prophet of India (No. 191) - and have not yet been reviewed or revised. This book by R.Mahmoud Ghadjavani (10th century AH) wrote a short introduction to Sheikh Kamal al-Din Hussein Kharazmi (born before 885 Kharazm) with an introduction and a short introduction. The first and second articles on the austerities of the Sheikh and the third article in Kharijite are his habits and the fourth article includes forty assemblies of his assemblies.Ghadjavani also had a poetic nature and sometimes composed some of his poems under the pseudonym "Mahmoud" in this text. In this article, the most important features of Moftah-ul-Talibin are written in three intellectual, linguistic and literary levels, along with a brief introduction to its manuscripts. It offers information about the course of mysticism, Sufism, and the condition of mystics, especially Kamal al-Din Hussein Kharazmi.

Disfamiliarization, exaggeration, normalization, deviation from the natural form of language and the rules governing the most influential methods of creating a new style in poetry and it is one of the important components for the arrangement of speech and literary richness because it transforms the language of the criterion and highlighting the language forms. If meta-normality is more novice, it will be more acceptable and the style of the poet will be more personal. Because one of the Indian style features is fresh and imaginative themes. Bidel Dehlavi is one of the poets of this genre with the highest degree of artistic tenderness and creativity in personal style. Bidel’s quatrains are full of imaginative and ingenious literary initiatives. The tendency to use fresh ingredients, novel themes and artistry imagery makes Bidel stretch from the natural language and it create stunning images with its amazing structure. In this article, the normality of the Bidel’s quatrains have been studied in eight lexical, syntactic, phonetic, semantic, dialectal, archaic, and written phrases،we encounter the various types of normality in Bidel, but the most prominent Bildel style attribute is related to syntactic normality is a semantic, lexical, and stylistic form by constructing specific numerical affiliations, new combinations, modern imagery, and algebraic terms.

One of the deviations from standard language is defamiliarization which aims at providing elements of language in a novel way. Enjoying this technique, Mahabbat uses it in two folds: verbal and semanticDefamiliarization in Mohammad Javad Mahabbat's Poetry Dr. Seyyed Arman Hosseini Abbariki Salma Saedi Abstract: One of the deviations from standard language is defamiliarization which aims at providing elements of language in a novel way. Enjoying this technique, Mahabbat uses it in two folds: verbal and semantic. However, this paper puts emphasis on the verbal aspect as he relies heavily on the former. In this descriptive-analytical paper, phonetic, verbal, archaic, dialectical, written and syntactic defamiliarization are discussed. The results indicated that Mahabbat uses verbal and archaic defamiliarization as opposed to the other ones. In syntactic defamiliarization, separating the negative making prefix 'n' from the base, putting a distance between the adjunct and the possessive, and displacing the pronoun are widely seen in his writings. Dialectical defamiliarization is seen in using kermanshahi Kurdish dialect in Standard Persian and verbal defamiliarization materializes in innovation in new word combinations. Key words: familiarization, defamiliarization, language innovation, Mohammad Javad Mahabbat. ons.

Literature and art have some duties. By discharging of which, they can achieve an efficient concept, and these duties include to analyze human s as communities behaviors and to provide some influent approaching toward beauties attraction. From this point of view, the necessity of searching in the interdisciplinary literature is perfectly felt. Eric Burn, founder of transactional analysis, introduced “Games” as psychology of human’s relationship: he interpreted. Anger cover As anger stamp In his “Games” theory. From which psychological reactions during human’s life are emanated. Present study has considered the “Games” of “Father's" men” and “Son's" men”in Beyhaghis History based on Eric Burns “Games” in descriptive. Analytical method. Exposing actors' motivations is the important role played by characters in identifying characters Obtained results demonstrated that more than half of hidden motivation of characters for initiating a relationship is to have the criminal and revenge purpose. And individuals appears as victims and annoying persons more than saviors.

This study, based on the theory of Joseph Campbell's monolithic theory, analyzes the symbols of the story "Talkhoon" by Samad Behrangi. Campbell, for the mythological heroes' journey, attempts to find individuality, a pattern that has been composed of three main stages of departure, initiation and return. Behrangi depicts thedeparture of self-conscious nightingalein the form ofTalkhoon’ssymbolic journey. Ah is a messenger who, through a businessman, invites Talkhoon (self-conscious) to travel. Talkhoon and unconscious (the young man) in the first stage crossing the threshold and before they pass through the road of trials, they get married (magical marriage). With the young death, Talkhoon with the help of Ah who has appeared in the wise old man, begins another journey from the slave market with the messenger and fights with greed and lust dragons through the path of initiation and after kneeling with self-dragon, with chicken feather and water, which is a symbol of the "final blessing" of his journey, returns to revive his unconscious. His return, with the help of the "messenger", shows his freedom going and coming through two self-conscious and unconscious worlds. This symbolic story has much to do with Campbell's theory; with the difference that the meet is done twice. Once before passing through the initiation, and once again successfully passing through the road of trials and after receiving the final blessing.

God, as the creator of man, has been in contact with him from the beginning of man's creation, and this relationship has expanded with the entry into the universe. The relationship between man and God and the mutual presence of this kind of relationship is one of the fundamental issues in the field of Islamic mysticism. Man, as the Ashraf of creatures, has a valuable position among all of God's creations, which has given God special attention and attention to this caliph. Most artists, especially Persian poets, have dedicated their work to the relationship between man and the absolute Creator. Jami is one of the most prominent figures in Persian literature who seeks to address all aspects of his personality, precision, study, and exuberance with sufficient mastery over certain sciences.The relationship between God and man is one of the key points in Jami's poetry. The present study, with a descriptive-analytical approach, examines the relationship between God and man and analyzes the concepts related to this field in Jami'ah poetry. The results of this study indicate that the relationship between God and man in Jami'ah poetry has been applied in three ways: 1. Revelation, Verses, and Apocalyptic Verses 2. Creation and guidance 3.

Dialogism is a characteristic of an expressive and mature text. In a dialectic text, the reader receives different sounds and opinions beside each other and enters inside the text as an active element beside other elements those build the text. in this kind of novel the author is not the only speaker and builds the story line beside other elements and the reader. Mikhail Bakhtin is an effective theorist in 20th century who brought up this theory in the scientific-literary research field. He accounts novel as a proper base for appearance of a dialectic text. In this study “Koli Kenare Atash” novel by Moniro Ravanipour is investigated on feminine dialogism structure in writer’s style from the perspective of Mikhail Bakhtin’s dialogism logic. The research method is analytic-descriptive and data collection method is library-documentary. This research found that the writer with feminine writing through various techniques including rotation of point of view, intertextuality, double voiced and polyphony created a dialectic and polyphonic opus. Keywords: polyphonic, novel, dialogism, Bakhtin, feminine dialogism, “Koli Kenare Atash”

Salman Harati (1338 -1365) committed one of the poets of the contemporary style of literature in the field of Islamic Revolution and is stable. Salman poetic language is the language of poetry, simple and insignificant. Salman plain language and strong, able to create beautiful images be. Is intended to present a descriptive - analytical imaging and align it with the emotion in the poems of Salman Harati to discuss and scrutinize. Outcome research suggests that the link between the poet's creative emotion, image and imagination. And logic-based interactive communication, which implies that the referential function, making out, and the poetic function is restored. Salman singing poems in various arts of poetic imagery, including metaphor, personification, metonymy, simile, synaethesia, irony, and the paradox …Has used. In the arts of Image, such as simile, metaphor, personification and synaethesia more with the emotion and sense of fun and irony and paradox of religious belief with social affection Salman Harati are consistent

It can be claimed that Critical Aesthetics is the most important achievement gained from the Frankfort School. As critical Aestheticians believe, noble art should be able to free itself from homogeneity and similarity induced by dominant governments. It should, also, be able to actualize free meaning creation in a world where the origin of meaning is being devastated. In the present article, the art of Shamloo was investigated descriptively and analytically, from the stated perspective. The process followed was extracting case examples from the original text and analyzing them according to the theory. Since his poems are in close relationship with local texture of society, the study necessitates accessing sociological perspectives, as well. In this article, Shamloo’s versatile views toward prevalent semantic norms and the deficiencies of the modern society in this regard are categorized under different headings. His most frequent semantic norm breaking occurs in the domain of conventional ideological beliefs, binary contradictions, and the manifestation of the modern society. Here, Shamloo’s explicit objections target the values dominating the modern society. This way, his coherent thought construct is pictured behind his poems to help the reader to discover the ideology of his work and picture the poet’s world view.