نشریه نقد، تحلیل و زیبایی شناسی متون
پیاپی 14 (بهار 1401)

Discourse is a force that emanates from a relationship of three, rationality, ideology, and power, and is used for political action. With the identification of triples, rationality, ideology and power, one can discover the ontology of discourse, and vice versa, through the discovery of discourses, it can be traced to the trios of time. Since the introduction of the term Constitutionalism into the political literature and the quadruple functions of discourse, whether compulsion, critique, concealment and eventually legitimization or decriminalization in the interaction of rationality, ideology and power in the field of literary competence, especially the field of press, was realized through analysis and analysis The discourses that were heated through congressional publications in Tabriz were trivial in the constitutional period. In this regard, in the present study, 25 journals from the period of constitutionalism between the peak years have been selected and selected from different perspectives, content, approach and goals.

Monarchism, intellectuals, including liberalism and socialism, clergy, including orthodox, jurisprudential recitations and the dominant triune of modern society.

Sociological critique is formed by theorists such as Lukachc and Goldman, and every literary writing rises from the depths of society. The present article deals with the sociological critique of two short stories, "Zan sisheii" by Razieh Tojar and "Mesle hameye asrha" by Zoya Pirzad. While social analysis of stories, it recovers the forgetfulness of women in the storytelling community, and deals with self-seeking and self-discovery, as well as the concerns of women in the story community, and determines that the concerns of women storytellers today are loneliness, silence, despair and social attachments. However, women's social life is on a good evolutionary path.

Abdolvaasse Jabali is a poet of the sixth century AH which the majority of scholars know him as someone changes the style of Persian poetry from Khorasani to Iraqi. This paper seeks to investigate the factors of the Simile in his Divan with a qualitative research method, an analytical-descriptive type and a text-based approach. Also if necessary be used of comparative and contingency methods. The analysis of the poems by Abdolvaasse Jabali shows that the calling of the chain of Moshabahon beh of one family that has realationships , which is in line with each other, is a coincidence of a similar arrangement for two sides and with two different faces in one verse, changing  the place and the way, the Simile of the letters, and the variety of Moshabah & Moshabahon beh, among the reasons for the strangeness of Simile in his poems; to the point where the poet can be said of a simile more than a literary array and in the direction Being aesthetician, as an array, and for the pride and declaring discourse, the dominant content in his Divan is underneath a layer of bizarre, reticent, complex and Blindfolded is hidden.

In the context of mystical literature Mohmad Ibn Ali Ibn Malek Dad Tabrizi , the famous Azarbaijani mystic of Azerbaijan seeks true knowledge.
 In search f true love and knowledge, he Met many contemporary sheykhs(elders)and Jurisit like  AbuBAKR Slebaf , Rokan al - Din majlesi, Shams al- Din Khoi ,  uh al- Din kermani and etc… . but he has not seen an  abstraction and honest Whose in them the truth of with in the stage of transactions is the reject of the peoples  acceptance and the absolute attention to God.So  while using lesson assembly and associating with them, the circumstances and statements of most them are worthy of critism.
Shams, the elders and elders of his  companion have lost so much of the beauty and presence of the truth that he has served his connection with past and associated with them  and has sought to meet the saints of the truth.
The present article, according to the library method  and cites the book of article  analyzes the  Shams enchanted thought of flying bird , which is dissatisfied with contemporary elders and jurist , is paid.

Hafiz’s Divan deals with political and governmental themes though it is considered as mystical work. Hafiz’s interaction with kings and rulers of the time, attract his attention to their norms, politics and moral which made some of his poems. How Hafiz views the values and anti-values of kings and rulers, as well as the extent, examples, manner of use and purpose of using these concepts in his poems is a worthy subject which is not considered seriously until now. Therefore, this article, with a descriptive-analytical method It seeks to answer these questions: what were the merits and demerits of the rulers in Hafez's poetry and for what purpose were they reflected in his poetry? The findings show that Hafez, influenced by the general patterns of Iranian " Policy writing ", some of the moral and political merits of kings, such as: justice, culture, property management, generosity, establishment Security, and some of their inadequacies, such as: oppression, bloodshed, bigotry and arrogance in a clever and artistic way, in his poems for instructive and instructive, as well as to soften the spirit of the rulers of the time and reduce their tyranny and violence. Has done.

Compilation of the historical culture of Persian prose pronouns in such a way that the time of beginning of a weight and then the amount of its use in the next periods and frequency can be determined and the ups and downs in the circulation of each of the prosodic weights can be determined carefully, especially today Considering the existence of revised editions of Davin and poems of Persian poetry, it seems to be very necessary and useful; Especially since the place of such a culture - of course with the above-mentioned characteristics - in the field of research and available resources is empty. Obviously, the first step in compiling such a culture is to study the existing madnesses of Persian poetry one by one and to extract the results as the necessary basic materials and elements. This article is a response to this urgent need in which we have examined the poetry collection of Hasrat Hamedani in terms of rows, rhymes and prosodic weights. The method used for this work is descriptive-analytical method. In his poems, Hasrat has used eight seas of prosody, among which the sea of ​​Hazj has a high frequency. Most of his poems are in the form of the founder and have a nominal rhyme. In his lyric poems, the letters "N" and "R" are used more. The frequency of using different lines and poems in the poet's sonnets is high. In side music, the use of longing words and long vowels in the rhyme has made his poems beautiful and audible.