فصلنامه الهیات هنر
پیاپی 15 (بهار و تابستان 1398)

Recognizing the architectural works without the knowledge of the creator's soul is a subject that is contemplated today in the field of pathology of contemporary architecture. Since architecture is a phenomenon that is the creator and audience of a human being, it is important to address the issue of perception of the soul. Today, the confusion of architectural types, regardless of the self-examination of the creator of the work, allows any reading to be considered for any work, while the type of architectural soul based on what kind of epistemology can be based on the truth of whether the effect is centered or not. . Every work of thought is obtained, and any thought influenced by the perception of the soul toward the three subjects of man, the universe and God. Therefore, a work can be truth-centered, its thought oriented to the right, and then the thought can be right-axis, which is derived from the right perception of the world, man and God. Therefore, the present study is based on the method of documentary studies, analysis Qualitative content for analyzing and judging data extracted from verses, hadiths, and Islamic texts, and relying on Sadri's wisdom, introduces the cause of the truth-centered effects of Islamic architecture on how to perceive the soul of the architect, Creation of a kind of allegory in the soul of the architect has led to the creation of works that have the merit of union with the world. God has made man.

Showing the most effective tool for promoting ethics and culture has a special place in shaping human behavioral and verbal management with effective influence on the audience.the authors' mindset in this study is Capability Of Dramatic Study Of Razavi's Marvels For Drama and the lack of a research paper on this subject.In this research, from among the various theorists' opinions from Aristotle to the present, Aristotle's most important elements are: (plot, character, dialogue, interior, location and time (position), knot, conflict , Suspension, Peak, Knot, ...), according to the presence of Razavi's Marvels stories.The purpose of this paper is to provide some of the findings of this research to some extent to demonstrate the capabilities of Razavi's Marvels (AS), and to transform them into a radio drama. The method of qualitative research and documentary-library research has been carried out.The result of this research is that the stories of Razavi's Marvels are a raw material that is capable of performing in terms of content and structure.The researcher's attempt in this treatise is a special attempt to recognize and introduce one of the religious sources, which, on the one hand, has the ability to pay for plays due to the demonstration values and, on the other hand, due to the value system and the semantic system.The attempt to transform the stories of Razavi's Marvels into plays can be a good way to perform the artist's important duties in the creation of works of art and art.

Armenians in the 17th century in Iran have had significant commercial and economic and cultural and artistic influences during the Safavid period with the cultural interactions that emerged between the Iranian, Armenian and European peoples. Various such paintings are impressive.By examining the paintings of Bethlehem Church it seems that these works must follow the particular style prevailing in religious imagery, and since Christianity paintings have been used to convey the text message from the signs of the Bible, it is necessary to examine the paintings on the basis of analysis. Symbolic, by comparing the symbols in a number of selected works of the Church of Bethlehem and the paintings of the Safavid era and its European counterpart, we find that sometimes the subject of religion is an auxiliary to painting, in addition to drawing on the values ​​governing their intellectual and religious culture of the age. , Thoughts, Worldview and more They also incorporate their ideas into the works by means of symbolism, which in addition to the subject matter is also influenced by the content of the work, and the artist issues symbols in his community using the symbols used in a rhetorical context

According to the diversity and contradictions in definition of islamic art and architecture which was expressed by internal and external teoristes, many academic and administrative policies at the national and international level, are non-scholarly. So it is necessary that the approach base on the Global Islamic art scholars̕ veiws in Shiie . The aim of resolving the conflict is to Select the correct option and more accurate choice in the field of art and architecture.In this paper, we try to offer the most comprehensive definition of Islamic art and architecture, by classifiying relevant definitions of typology. Muslim teoristes were chosen among the Shiie Jurisprudent. we attempt to show, Despite the different and sometimes conflicting attitudes, There are some confirmed theory in Shiie Jurisprudence.The research classify ideas in four categories, and try to show that Imam Khomeini’s veiw (which can be considered as theoretical foundations of Islamic art)is more comprehensive than others.The main achievement of hierarchical theory, is possibility to collect various theories of Islamic architecture in subjects of religious architecture. According to this view each issue and human needs in architecture are related to different level of metaphoric. this resolution makes us not to judge according to subjective analogies, and it help us to design Islamic architecture closer to the truth and harmonize to the knowledge level of the audience in each category .this theory is underlying three Islamic Architecture: metaphorical Islamic architecture, sacrosanct Islamic architecture ,metaphorical- sacrosanct shape

The novel is a literary genre that explores the existential capacities of man while appealing and using imagination. The latter is entirely related to ethics. Writing a moral novel is not a matter of custom, but its author must also be adept at mastering the art of storytelling. In addition, the interplay of ethics and the novel cannot be denied. Ethics can play a key role in the writing of the novel, just as the novel can have a moral impact on the reader and even the author. The reader's influence on the novel is a complex issue that has to do with a number of issues, including: 1. The reader's degree of appropriateness and alignment with the novel's and the novelist's imagination and aptitude; And the moral of the reader or its flexibility. The effectiveness of the reader depends on the characteristics of the novel, its author's characteristics, as well as the characteristics of the reader himself. A closer look at the novel is a line of communication for the reader to encounter the author, with all their human traits and dimensions.