نشریه زبان و ادب فارسی
پیاپی 55 (تابستان 1402)

Seyedziauddin Tabatabai Yazdi, one of the agents of the March 1299 coup, is one of the most influential politicians in Iran's contemporary history, although his political life is closely linked with press activities, but his political face casts a shadow over his pen face.At the age of sixteen, he started working as a journalist with the newspaper Nedaya Islam (1288); Then he published Sharq (1327) and Barq (1328) and Raad (until the coup of 1299).By foreclosing one newspaper, he started another newspaper and spread critical thoughts with harsh and reckless language.In this article, while introducing the newspapers and written works of Seyyedziaddin Tabatabai, using the "layered stylistics" method, his lexical style was examined in a descriptive and analytical method by referring to the aforementioned newspaper sources. We have done and have tried to analyze the ideology ruling his mind and language by separating the style of this period from the individual style of the writer and considering the requirements of the time.Paying attention to the political attitude of Seyedzia's newspapers, we came to the conclusion that because his audience was mostly leaders of affairs and policymakers, his intellectual world guides the political attitude of a social class as a whole.And in this target group, his protest in the currents of constitutionalism is reporting on the relations of society and social and political changes and developments, and his language has been more serious than populist newspapers with a critical, frank, serious, bitter and sharp language

This study was conducted with the aim of investigating the Terminology of Kinship in Sanandaj Kurdish based on Ecological and Typological approaches. The data are all the Terminology of Kinship in this language variety. The method of data collection is library and field through interviews with speakers and the research method is descriptive-analytical. The structural investigations that were carried out from the point of view of typological approache indicate that 52.31% of these terms are in the agglutinative and 52.31% are in the isolating types. Also, terms with possessive structure have occupied 26.15% of the total, all of which indicate the strategy of juxtaposition, and among them, some have possessor-possessum and some have possessum-possessor arrangement. However, other simple or non-simple possessive strategies, including case maker or adposition, etc., are not observed in the terms. The results of ecological surveys show that geographical factors (different areas of the city), cultural factors and sociological factors of the environment, especially gender, ethnic criteria and relative and casual terms have an effect on the Terminology of Kinship of this ecology. According to this approach, aera can be the most important reason for the diversity and differences in Terminology of Kinship in this linguistic corpus.

 The great mystics each have their own language and pictorial and symbolic system. Those who have had pure personal experiences have their own personal images and interpretations. Rumi has given a secret meaning to the words of everything and everyone, according to the association of meanings that took place in his mind. The scope of Rumi's cryptography includes animals, plants, constellations, myths, prophets, etc.; Therefore, the investigation of all aspects of cryptography and mystical terms in Rumi's Ghazals requires extensive research. In the present research, monastic symbols in Rumi's Ghazals have been investigated. This research seeks to answer the question: How are monastic customs and symbols reflected in Molavi's poetry? The results show that Rumi has used a variety of words and terms in creating new symbolic meanings. The most important result of the present research is that, due to Rumi's creativity in cryptography, Rumi's sonnets cannot be interpreted according to the mystical terms found in Sufi books; Because the mystical terms used show the conscious mind of the writers who have their own intellectual style. Some of the customs and traditions that have found symbolic meaning in Diwan Shams are: pir, food, farashi, sama, etc. The purpose of this research is to reflect monastic symbols in Diwan Shams Molavi. The research method is documentary and library, and text analysis is obtained through evidence.

Intertextuality examines the relationships between texts. Because in every text there are references to earlier works; In other words, new texts are the offspring of earlier texts. Hence, it can be said that there is no new and original text and every writer is inspired to create his work from the works of his predecessors. In intertextuality, two texts are compared: a text below and a rough text. Gérard Genette has perfected the theory of intertextuality. Genette divides intertextuality into three categories, which can be examined in the form of: the explicit, implicit and implicit presence of one text in another. In this article, the author first explores the roots of Rumi's mystical anecdotes and thoughts in the first book of Masnavi in mystical, fictional, interpretive works, Poetry Courts and Persian historical books. Then he divides these anecdotes into three categories based on Genet's theory of intertextuality. At this stage, the following text of Masnavi is specified. This text below should have both chronological and historical precedence over other texts and should be most similar to Masnavi narration. This study shows that Rumi had read many Arabic historical, interpretive, fiction and mystical books before him and brought them to the margins of Masnavi. However, in all the cases studied, he has changed mystical thoughts and previous anecdotes to achieve his mystical, theological and moral goals.

style is the author's or poet's method to show the specific desired content, knowledge and his point of view. These works examine its intellectual, literary and linguistic features. Pa Varagi novel is a new phenomenon and a branch of literature. This type of contemporary literary flow, with its artistic language, attracts people's attention and has its roots in popular literature. and is a reflection of the current issues of the society. It reflects political, social and historical realities like a mirror.

This essay has investigated the narration, perspective and intellectual content with a descriptive-analytical method. The noteworthy point is the perspective of the work.

Pa Varagi's novels as a social novel along with the growth and richness of the literary stream that people pay attention to show the weaknesses and cultural defects of the society with simple language and general structure.

Pavaragi novels as a social novel along with the growth and richness of the literary stream that people pay attention to show the weaknesses and cultural defects of the society with simple language and overall structure.

With the political, social and cultural upheavals of the late Qajar period, the writers decided to tell the nakedness of the society. Mushfiq Kazemi's first footnote novel "Tehran Makhuf" centered on love, in simple prose of a newspaper in the language of reportage. , with the aim of expressing the sufferings, problems and corruption of the government of that period, he published it.

Among Iranian poets, especially after the Safavid period, a group of professionals gradually appeared and some of them have shone. The use of tools and occupations in poets' poetry has a long history. This application, along with the useful information that it provides about different occupations, provides guidance in better understanding the old days of Iran in different periods The literary approach of these occupations can be seen in the literary type of poetry, One of the most important features of the city of riots, in addition to the description of the beloved, is the expression of the professions that were popular in the time and place of the poet and its community. In this research, among the professional poets, we have focused on the butcher of Kashani. Kassab is one of the poets of the second half of the 11th century and the beginning of the 12th century of Hijri, who has been able to write admirable poems in addition to the mystical and lyrical themes in the creative theme of his profession, considering the level of his awareness and knowledge. Bring in your speech. aims to investigate the use of tools and related job terms in Kassani's butcher's court, and by analyzing the findings, explain the use of tools in Kassab's poetry. and show the poet's ability to combine his profession with the poetry and social characteristics of his time, how are the tools and words related to the butcher's profession reflected in the words of Kashani's butcher?

Angels are inconspicuous beings that god created them to serve through his orders. On the other hand, it is intertextuality which is the method of text convergence, based on impressionability from previous texts and the influence on later texts. The current research is qualitative research with the descriptive-analytical method based on library resources and with the aim of investigating the role of angels in the poetry of Hafez of Shiraz and Imam Khomeini, it has been compiled based on Quranic intertextuality. Both Hafez and Imam Khomeini had mystical tendencies and regarding the fact that they had complete familiariaty with the word of God, therefore the dominant theme of their poems is based on mysticism. Angels as executors of God's orders, which mostly have a formative identity, are well considered by Hafez and Imam Khomeini. They pointed to a wide range of angel's activities; both aspects of mercy and wrath and also in between which depend on reaction to human behavior, were regarded.

The three paintings related to the yellow, green and red Gonbads in the Haftpeykar’s collection of the illustrated manuscript of KhamsehNezami in the library of ShahidMotahari School are so similar to each other which are seen as photocopies of each other.The purpose of this research is to show the reason for the similarity of the illustrated. In the method of structuralist critique, the Haftpeykar narrative system has a single narrative unit that is repeated throughout the story, especially the seven Gonbads and this repetitive narrative unit carries the message of the story, which is the basis of BahramGour's test and spiritual evolution. Assuming that the repetition of the structure of the illustrateds is related to the repetition of the story representation in the single structure of the text of the poem, the components of these illustrated is compared to the structural features of the story and the relationship between the mentioned illustrates and the narrative concept of the system is investigated by a descriptive-analytical method to understand a similar concept in the structure of the illustrateds and the purpose of the painter of this design and concludes that the painter recognizing the message of the system, in order to convey the message of the system, designed similar drawings to emphasize the message of the story and To show the greatness of the Safavid court, he repeated the initial section in three drawings to depict the glory of the court.