نشریه پژوهش های نقد ادبی و سبک شناسی
پیاپی 48 (تابستان 1401)

The authors of the novel have given national color to their writings with various manifestations of folk style and have preserved the culture from the ravages of oblivion and passed them on to the future generations.Among the writers, Simin Daneshvar has used many proverbs, folk expressions, and customs of the people of Iran to serve social thoughts, paying attention to folk style.In this article,various elements of the folk style of the novels "Sushon, Wandering Island and Sarban Wandering" are presented based on the classification of "C.S. Burne".The results show he from all three categories mentioned in the theory of "C.S. Burn" that is; He has used beliefs, customs and habits, culture and customs and myths, proverbs, stories and folk ideas and with a special attitude he has used the folk style to express intellectual concerns and social issues by creating atmosphere of story elements.

Pai Ke Jamand is a book written by Seyednaser Hosseinipour, focusing on the expression of memories of captivity through diaries. This research is an analysis of the structure and content of Pai's book, which has survived and expresses the personal experience of the author of the book, according to his daily notes during his captivity,presented a beautiful and realistic image. It is the expression of the pains and sufferings of the captivity period and keeping alive the memory of the martyrs. Also, due to the accurate description of the events, it can have a historical value and reference in the description of the historical events of the war. The language of this work has a smooth and simple expression, and according to the time and place of describing the events (war and captivity), appropriate words and terms have been used, such as: Bisem Chi, lookout, camp, cell, etc.

Narrative research is one of the methods of literary criticism that researchers in the field of literature have been busy with. One of the methods of analyzing narrative texts is Grimas' narrative theory entitled "narrative grammar". By using this narrative pattern, it is possible to analyze the types of stories and measure the compatibility or non-compatibility of the stories with Grimas's narrative theory and find the elements in the text. The story of Bahman fortress is one of the magical stories of Shahnameh. In this article, which is taken from the author's doctorate thesis entitled "narrative grammar in the magical stories of the Shahnameh based on the theory of Algirdas Grimas", the researcher intends to criticize this story based on the narrative theory of Algirdas Grimas with the help of the findings of the said thesis. Measure the grimace with it.

The fluidity of humor is such that without taking into account the time, place, cultural and linguistic conditions, it cannot be assumed as a single and fixed element. In Persian literature, due to the lack of attention of the writers and poets of the past to compile the basics of humor and disregard for today's interpretation. According to scientific theorizing about humor, the principles and approaches of humor can only be understood and mapped by studying their works. From the oldest Persian literary texts to today, depending on the conditions that were said before, many pieces of literary works can be classified as humor. In this article, Mohtsham's humor has been looked at with an analytical view, and thoughtful results have been obtained from the poetry of this religious poet. The research method in this article is descriptive analysis.

the word speech in this title show that speech as the main product of language was the most important feature of Saadi's art. In Saadi's poetry and prose, there are many privileges compared to other speakers, and the sum of these privileges has led to the formation of Saadi's works of art. Saadi has a complete mastery in using rhetorical elements and has worked with the principles of Persian rhetoric in a way that maintains the rhythm and balance between the simplicity and artistic nature of the language. The reason why Saadi's poetry and prose are named Sahl Momena is the same rhythm and balance. In this research, while focusing and reflecting on some technical and rhetorical advantages of Saadi, we try to show that Saadi's artistic mentality is directly related to his linguistic abilities.

Kashf al-Asrar is one of the ancient Persian commentaries written by Rashid al-Din Meybodi more than nine centuries ago. In this commentary, below each verse in three stages (according to the author of the book three times) is stated. In this book, Rashid al-Din Meybodi first translates some of the verses into fluent Persian without explanation (Al-Nubah Al-Awali), then explains the opinions of commentators and scholars on the interpretation of the same part (Al-Nubah Al-Thaniyah) and in the third section expresses mystical points. In particular, he quotes his master Khajeh Abdullah Ansari (Al-Noba al-Thalasha) and generally in this section the beauty of Meybodi Persian prose can be seen. Most of all, the beauty of the prose of this precious interpretation is shown by the stylistics of the third part, which has been studied in the present study in the form of linguistic, literary and intellectual features