فهرست مطالب

پژوهشنامه بختیاری شناسی و اقوام ایرانی
پیاپی 2 (پاییز و زمستان 1402)

تاریخ انتشار: 1402/10/11
تعداد عناوین: 12

فارسی
English

انتخاب همه

A sociological analysis on adherence to Ili )ethnic) indicators in the Bakhtiari tribe

Pages 5-34

the question arises that in a society where rural and nomadic life has been the major part of its social and cultural structure until recent years, where have tribal and nomadic indicators gone? To what extent do the Bakhtiaris adhere to the social and cultural indicators of the tribe and what is their attitude towards the indicators of the tribe? In response to this question, this article has investigated the issue on a sample of the Bakhtiari tribe living in Farsan, Ardal and Kohrang cities in a descriptive, survey method and using a questionnaire. The general result of the research shows that despite the widespread and comprehensive invasion of modernity in Iran and as a result in the Bakhtiari tribe, although the formal structure of the Bakhtiari nomadic life such as nomadism and living in black tents has undergone major changes (reduced). Bakhtiaris, although less compared to the past, but still adhere to their social and cultural structure and express interest and live based on it. 91.78% of the respondents believe that an Illyrian should engage in animal husbandry. About 74% strongly agree, they believe that an Illyrian should be proud of the dress and way of life of his clan. or 73 percent believe that the language and dialect of the clan and tribe are important to him. The rest of the indicators also show that the Bakhtiaris adhere to the indicators that show that he is an Illyrian and that he is a Bakhtiari at a high level.

Keywords: Bakhtiari, piebandi, tribe, tribes

Abstract View Paper Research/Original Article Original: Persian
Religious beliefs in Pejman Bakhtiari's poetry

Esmaeil Jalilpiran *, Jahangir Safari Pages 37-48

In the contemporary period, poets with different political tendencies and even differences in the level of benefit have not been able to avoid referring to examples of religious beliefs in their poems. Pejman bakhtiari is one of the poets who, although he does not have deep religious beliefs, but in her poetry, he used the examples of religious belief and the description of Shia imams. In this article, an attempt has been made to portray a general image of religious beliefs in Pejman bakhtiari's poetry, and by categorizing these religious beliefs, the contradictions and confusions that exist in the divan of this contemporary poet have been investigated. his study shows that Pejman Bakhtiari is not a completely religious poet, but he is not devoid of the beauty of religion in her poetry, and especially when he is bored and tired of the material world, he pays more attention to religion, religion and God, and in a way he heals his tired and painful heart by this means it relieves.

Keywords: Pejman bakhtiari, Religion, God

Abstract View Paper Research/Original Article Original: Persian
Examining the similar element in the book Materials for studying the Bakhtiari dialect

Massome Ghassemi *, Hamid Rezayi Pages 103-134

The Bakhtiaris are one of the Iranian ethnic groups that have a deep historical and cultural background, and by looking at their history, culture and extensive written and oral literature, this fact can be well understood. Considering the vastness of Bakhtiari's popular culture, folk songs and poems have always had a special and privileged position in their eyes, and the passage of time has not been able to cause the total forgetting of these heartfelt songs and songs. Because these songs are born from the life of Bakhtiari and have an inseparable connection with their history, literature and culture.Songs form a part of the oral literature of our society, which is created by the minds of the masses of people; The literature that was formed among the people, has reached perfection and has accepted some changes according to the cultures, ethnic groups, languages and according to the social conditions, and at the same time it contains certain characteristics. One of the characteristics of folk songs is the simplicity of expression and fluency of words, in such a way that there is no need for reflection to understand it and it is easy to understand. Perhaps the simplicity and brevity of the song can be related to the value of time in the rural society... and of course, realism should also be recognized as one of the characteristics of folk songs.Simile, as one of the imaginative forms, has been used in the creation of purely beautiful images Persian literature.

Keywords: Materials for studying Bakhtiari dialect, popular poetry, similar to, imaginary images, Bakhtiari songs

Abstract View Paper Research/Original Article Original: Persian
A look at the traditional marriage culture in the Khiav or Meshkinshahr region

Valiyollah Nasiri *, Simin Yari Pages 135-151

The present research introduces us to the ancient and traditional style of marriage. Many customs that have been removed from memories and added to memories with the advent of modernity and under the pretext of civility and modernism. The present research depicts a corner of the mentioned culture in Meshkinshahr - a part of the territory of Azerbaijan, Iran. The purpose of this writing is to reflect the traditions of the past in the manner and manner of common and common marriage traditions in the past. The method used in this research is descriptive, documentary and field. This research examines the different stages of the marriage process from courtship to beautiful wedding celebrations in the past and present. Parents play an essential role in this connection. This article intends to provide the readers with clear views about marriage customs and celebrations that may never be repeated.

Keywords: street, marriage, Meshkin Shahr, culture, tradition

Abstract View Paper Research/Original Article Original: Persian
An Ethno-Archeology Approach to the Use of Horns in ILAM Buildings and Bakhtiari Mafeh-Gah Architecture

Majid Sarikhani *, Amin Babadi Akasheh, Majmood Heydarian Pages 153-176

Ethno-Archeology is the study of modern lifestyles to enable archaeologists to understand processes. The interdisciplinary approach of ethno-archeology can provide very clear information from archeology. One of the tribes that in terms of architectural pattern, livelihood and settlement are very similar to the sample of archaeological data in prehistoric and historical periods and interdisciplinary studies have been done in connection with them, the Bakhtiari people. The present study tries to introduce the Bakhtiari Mafe-Gah architecture, one of the behavioral aspects of this people, using the ethno-Archeology approach. The main purpose of this research is to introduce, record and document the complete Mafe-Gah in detail and compare its structural and cultural features with ancient evidence. After examining the characteristics of this work, by examining the ancient evidences such as pottery motifs, the effects of seals and the effect of seals in the Bakhtiari region, the common aspects of this behavior are compared. The descriptive-analytical research method is based on documentary studies and identification of sources and texts. In the field studies or surface survey in Bakhtiari areas, common methods in anthropology include interviewing people, visiting and observing the daily life of nomadic areas, as well as participating in funerals and mourning ceremonies of Bakhtiari people to pay attention to details. And observation of the manner in which their customs have been used. The results indicate that the installation of horns on Bakhtiari Mafe-Gah can be seen in the evidence and relics of the culture and civilization of ancient Elam.

Keywords: Ancient Ilam, Bakhtiari people, Architecture, Ethno-Archeology

Abstract View Paper Research/Original Article Original: Persian
A comparative study of allusions in the Northern Talashi language with the Persian language

Afshin Khanbabazadeh *, Mahnaz Nezamianbaran Pages 177-203

Allusions are one of the most important literary genres in oral literature that do not have a specific speaker and can be found in the conversations of the people of their own communities.They show In this way, ironies are sentences and words that flow in people's language, and one of the reasons for their persistence are these people because they use them in their daily speech, ironies have the beauty of expression and search The main meaning in them has a special pleasure.Therefore, the investigation of ironies in Iranian dialects is of special importance, many of the ironies of the Talish language are specific to the Talish people, and some of them are shared with other languages, since this research It is novel and new, and so far no research has addressed the allusions in Northern Talashi separately.Therefore, it can transfer a huge part of the culture and politeness of this language to future generations. In this regard, this research collects the general ironies of the Northern Talashi language and examines them in two separate categories, those that have an equivalent in Persian and those for which no equivalent was found in Persian, and after transliterating the ironies , the translation, meaning of irony and their application have been discussed.

Keywords: allusions, Northern Talshi language, Farsi language, transliteration, the meaning of irony

Abstract View Paper Research/Original Article Original: Persian
The semantics of medallion and corner rugs from Ilam, with an approach Anthropology of Carpet

Afsaneh Ghani * Pages 265-303

In this qualitative study, for the first time with an anthropological approach to carpet and using content analysis method, relying on archaeological evidence, field information and mythological meanings, the attempt was made to explain the content of the Ilam carpet patterns, the most common motifs in Lachak-Taranj Ilam carpets, especially Shamsa, Niloufar, abstract water forms, Qochaq, gazelle, crow, three and seven-branched flowers, and pomegranate, were reviewed and analyzed in a comparative study and using the mentioned content analysis approach in order to better understand the values and content relationships of these patterns with the native culture. The question of what hidden meanings some of the motifs in medallion and corner rugs have was answered. The necessary data for this research was obtained through collecting images of medallion and corner rugs, field studies of key informants, and library research, and was finally analyzed. The results indicated that Ilam weavers, influenced by the cultural achievements of their environment, have created patterns in their rugs that rely more on ancient achievements, especially in the Ilam Valley region, the region's oral culture, and mythological meanings. The meaning of most of these patterns is related to the story of the birth of love and cooperation between Anahita and Mithra. During the creation of patterns, weavers are not aware of mythical meanings and so on, and simply strive to create patterns in their handwoven fabrics that hold valuable meanings in their native culture.

Keywords: Ilam, Anthropology of Carpet, Rug, Medallion, Corner design, Shamse (the sun), Mithra

Abstract View Paper Research/Original Article Original: Persian

پژوهشنامه بختیاری شناسی و اقوام ایرانی

Research paper on Bakhtiariology and Iranian peoples

دوفصلنامه

آخرین شماره | آرشیو

صاحب امتیاز:

دانشگاه شهرکرد

مدیر مسئول:

دکتر ولی الله نصیری

سردبیر:

دکتر حمید رضایی

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فهرست مطالب

پژوهشنامه بختیاری شناسی و اقوام ایرانی پیاپی 2 (پاییز و زمستان 1402)

پژوهشنامه بختیاری شناسی و اقوام ایرانی

Research paper on Bakhtiariology and Iranian peoples

پژوهشنامه بختیاری شناسی و اقوام ایرانی
پیاپی 2 (پاییز و زمستان 1402)