فهرست مطالب

International Journal of Applied Arts Studies
Volume:8 Issue: 4, Nov-Dec 2023

  • تاریخ انتشار: 1402/12/13
  • تعداد عناوین: 6
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  • Nader Ghaemi, Shabnam Akbari Namdar, Siroos Jamali, Jalal Salek Zaman Khani Pages 7-24

    The science of interaction of energy in the environment is called feng shui, and this has led to the emergence of an ancient philosophy in China, which is used to find the correct arrangement in residential houses so that it can have the best effect on (chi). Residential houses, as the main center of human life, should have the highest level of peace. Historical and traditional houses have a hidden peace inside them, which has diminished with the passage of time. This research has been carried out with the aim of extracting the environmental components effective on the interaction of energy with the surrounding space in residential environments and examines three communities. The research method is a combination of nested qualitative and quantitative type, which first begins with a systematic study in this area to extract effective environmental components, and then the components are extracted, and in the quantitative phase, the verification of the environmental components is focused on feng shui. At this stage, ATLASTI and ORIGINPRO software are used for ease of work. In the group of designers, the lowest coefficient of determination is related to the structure with a value of (0.218) and the highest is related to materials and the presence of nature and furniture with a value of (1.000). In the group of users, the lowest is related to volume combinations with a value of (0.356) and the highest is related to compatibility with the background and color with a value of (1.000).

    Keywords: Spatial Components, Interaction of Human Energy with Environment, Feng Shui
  • Shabnam Asgaripour, Reza Farmahini Farahani, Mahmoud Nikkhah Shahmirzadi Pages 25-44

    The role of architectural education environment in teaching and learning is important in terms of improving the quality of education. Informal education, as an important part of education, often takes place in spaces outside the studio. Corridors, especially on the way to the studio, can be effective on students' design thinking in many ways, one of them is to increase the visual experience. which can be effective in the design process. The importance of place in education is considered as one of the dimensions of the hidden curriculum. This research is done with the aim of knowing the environmental components in educational corridors and knowing the effects of each of them. The mixed research method is nested qualitative in quantitative. In the qualitative phase, components from semi-structured interviews with university professors are conducted in the educational environment, then the components are categorized and extracted using the open and central coding system in ATLASTI software, then in the next phase, based on the components A questionnaire with a Likert scale is compiled and provided to students. The results are entered into the JMPSAS16 software and analyzed with descriptive and inferential statistics. The results show that in the spatial dimension, the attractiveness component with the coefficient of determination (0.213) has the least contribution to students' learning, and the most related to the static space component. and movement with a value of (0.872) in the functional dimension of supporting activities with a value of (1.000) has the largest contribution to students' learning and the least is related to the type of furniture in the corridor with a coefficient of determination of (0.224) In the physical dimension, the bulletin board component with a value of (0.132) has the least effect on learning, and the dimensions of the corridors with a value of (0.952) have the greatest contribution to students' learning.

    Keywords: Environmental Components, Corridors of Educational Spaces, Architecture Students
  • Somayyeh Omranifar, Lida Balilan Asl, Vida Norouzborazjani Pages 45-62

    Throughout history, in order to honor and record valuable events such as themes, conquests, events and personalities, monuments were formed that have a meaning in their heart. These buildings have been influenced by various factors. Paying attention to the body and also the physical form to engage the senses of the visitors has been a main pillar in the design of such buildings. One of the ways to create brevity in such buildings is the use of geometry and the use of proportional systems to create pleasure and a pleasant feeling in the audience. This research, using causal-comparison method and using the tool of collecting questionnaires, seeks to see how much proportional systems have been used in the design of the overall form and its components from each of the mentioned and selected monuments. have used, the range of measurement is selected with the preference system and with the opinions of thinkers, and the people to be measured include space users and users who are selected by random sampling with a number of 384 people according to Morgan's table. JMPSAS16 software is used for ease of numerical and graphical analysis. The results show that the largest factor contribution in the application of geometric proportions in the components and overall design is related to radical ratios with the value of (1.000) for the components and (0.905) for the overall design, and the lowest is related to Ken and Shako with the value (0.167) for components and (0.195) for the overall plan. The important point is that the platonic rectangle with the value of (0.915) for the components and (0.914) for the general plan has a high factor share, but due to the lack of significance for both parts, the results of attention to it are not reliable.

    Keywords: Geometric Proportion, Tomb Monuments, Contemporary Period, Systemsof Global Proportions
  • Jamak Mirhadi, Mozayan Dehbashi Sharif, Darab Diba Pages 63-88

    Beauty as a physical matter has always been discussed and debated in various designs, and most interior and exterior designers seek to create a unique space from a different environment. This study was conducted to extract and categorize the aesthetics values in the cultural buildings of contemporary Iranian architecture based on fuzzy Delphi. For this purpose, the governing components in the aesthetics variables were extracted through document analysis and library studies of articles and books, and then a questionnaire was used to examine the contribution of each component. From the point of view of the space users, screening was done in the components of the relationship between form and structure in culturally significant buildings. The results indicate that in the environmental dimension, the highest degree of membership is related to the component of performance following the form, and the lowest is related to safety. In the decoration dimension, the highest degree of membership is related to visible details and the lowest degree of membership is related to the Connection method. In the formal dimension, the structure component is a structure and the least related to structural signs and symbols, and the least is related to spatial arrangement. In terms of signs and symbols, Platonic forms and least related to the way of using materials. In the coordination dimension, the balance component, and the lowest is related to resistance variable.

    Keywords: Screening, Aesthetic, Physical Components, Cultural Buildings, Contemporary Iranian Architecture
  • Fahimeh Alsadat Mirjalili, Mohammad Rahmani Pages 89-114
    Objectives

    The purpose of this study is to explore the elements of Islamic architecture that contribute to the establishment of a strong connection between individuals and their surroundings, as well as enhancing their perception of the environment and preserving the cultural identity of Islamic architecture. It is important to acknowledge that the various elements of Islamic architecture have the capability to instill a sense of order, harmony, spirituality, identity, and vitality within the environment. This not only creates an aesthetically and emotionally pleasing experience for observers but also emphasizes the importance of understanding the identifying elements of Islamic architecture. Furthermore, this research adopts the metasynthesis approach to investigate the relationship between Islamic architecture and environmental perception.

    Methodology

    The research methodology used in this study is defined by its purpose and is described as both descriptive and analytical with a survey-based approach. The data collection process involves conducting documentary studies, making field observations, and conducting interviews with 12 experts in the relevant field. In order to analyze the qualitative data and validate the variables extracted from the sources, metasynthesis and inductive coding methods were utilized in the Max Kyuda software during the interpretation of the interviews.

    Results

    In accordance with the study's objective and theoretical framework, as well as the responses provided by the participants during the interviews, the research components were categorized into seven dimensions: Identity, Social, Functional, Cultural, Environmental, Aesthetic, and Physical, as established by Max Kyuda. It is worth mentioning that each of these dimensions further comprises subsets through the process of inductive coding.

    Conclusion

    The enhancement of architectural design levels such as order, dynamism, and legibility, as well as the incorporation of key elements from Islamic architecture in contemporary cities, should be a vital consideration for architectural designers and urban planners. By assessing the spaces within Islamic architecture, the connection between humans and the environment can be explored and its impact on urban identity and the enhancement of the relationship between Islamic architecture and environmental perception can be discussed.

    Keywords: Identity, Architecture, Islamic Architecture, Environmental Perception, Meta-study
  • Elham Farahmandaliabad, Fatemeh Maleksabet, Elham Zare Pages 115-122

    Clothing is a material sign of a cultural communication system; And weaving is one of the basic experiences of mankind, and among the interesting weaves is the tapestry weave, which is woven from the weave of tangled threads, the compressed chords in the form of a strong patterned and symmetrical surface, it has a design; A visual texture that is a subset of fiber art; And fashion, a phenomenon that exists more or less among the social strata and can be used in the design of modern bags and shoes for young women who follow the clothing of the Vionic brand. The purpose of this article is to apply the tapestry texture and appropriate materials in bags and shoes and boom in the clothing market, innovation in the design of women's bags and shoes and change the evolution in the visibility of an art; It is obvious that today bags and shoes are an important and inseparable part of the look and style, so we will give double glory with how to create the charm and appeal of women's bags and shoes, which is a combination of modern art and tapestry escape. Due to the fact that tapestry has a fancy and formal style, it is suggested that bags and shoes become more practical and can be used in all places. It is also possible to create a new world in the clothing market by using the art of tapestry in bags and shoes. The current research method is descriptive and its purpose is applied. To collect information related to the literature of the subject and the background of the research, a library method was used, and a qualitative research method was used to collect information to confirm or reject the research hypotheses. Rami tapestry can be displayed from models and textures, thread and various basic tools, scissors heads and cloth and simple and sometimes very beautiful and practical tools.

    Keywords: Young Women, Tapestry Weaving, Bag, ShoeDesign, Modern Art