مجله مطالعات داستانی
سال دوم شماره 2 (پیاپی 6، زمستان 1392)

There have been numerous theoretical links between literature and psychoanalysis. Every one of these theories has provided us with new insights into reading، understanding and analyzing literary works. From amongst such theories، Julia Christeva''s theory of abjection makes a connection between the outer world، the world of text and the author as the speaking subject. ''Ghaedeye Bazi [the rules of the game] is a psychoanalytical novel written by Jalal Firouz Zenouzi Jalali. In this novel، the narrator indicates the pains and obscenities of human soul; the text is a mirror reflecting the mind''s beastliness and lies. This article aims at showing how Christeva''s abjection theory can help us analyze a literary work، and how it can give us new readings and interpretations of a text. By taking a descriptive-analytic approach، the research seeks to demonstrate how the narrator tries to adopt his identity by making himself distant from his mother and delineating his boundaries from hers. The study also focuses on the way texts can reveal the existing crises of the author، the narrator and the society. In this novel، the author/narrator functions as a speaking subject who chooses to purify his soul and his surrounding environment by using a semiotic language.

Sammak Ayyār and Darābnāmeh are the first Persian epic stories and survived from validity tradition of singers. so much size and the extent structural elements of these stories and theirs distribution in all parts of Sammak e Ayyār and Darābnāmeh caused to، lost plenty of remarkable artistic traits and narrative continuity connections in the works، nonetheless the existence of some story themes in first and during of events، supply comprehension of this events and story ends for readers. In this research the authors have attempted to study Sammak e Ayyār and Darābnāmeh''s possible narratives in seven sections of sleep and dreams، astrology and divination، divine providence intervened، common ideas، wonderful and fascinating role، special plaque and scrolls and prayer and compliancy. In fact، the Logic of the narratives may be considered as story bara''ate estehlāl، because through them the general framework of events convey to audience in short and small form. The pattern of possible narratives in Sammak e Ayyār and Darābnāmeh in a kind that sometimes have straight relation with epic-myth persons that just for subsequent athletic stories of Shāhnāmeh and as a sign of apparent affection of these works in utilization of epic heritage that inherits from Shāhnāmeh. When the value of these works like Sammak e Ayyār and Darābnāmeh were revealed that at first writer’s narrating and audiology technique were explained، so this analysis that based on logic narratives may، approximately lead to these interpretations.

One way to analysis feminine statements in female anecdote works is the analysis of language use in this works base on the Systemic Functional Grammar of Halliday. There are various viewpoints about revolution and originating of Feminine statement and formation of “female applicable type” in Iranian female anecdote works. In this study، ten works of Iranian Female anecdotes have analyzed in order to answer this hypothesis. The Analysis method is base on the Systemic Functional Grammar of Halliday And in two parts، “ideational Meta function: verb process” and“Interpersonal Meta function: surface. The results show that there is a meaningful relation between the selections of vocabulary type (verb Process) and surface application in female anecdote works in different Decades and thought revolution.

Naguib Mahfouz، the great Arab writer of the twentieth century. His novels depicted the country''s Egypt Vfraz and fall accidents are a community that was suffering from extreme poverty and ignorance. Names، characters and what they are going through all of his stories from all over the country have been selected streets of Alexandria and Cairo. Copyright novels، picture aspirations and sufferings of the people of this country in the last century. This descriptive - analytical picture of contemporary Arab women''s novels of Naguib Mahfouz to check. The end result of this research indicates that women in his novels، lacks a proper understanding of the nature of their mission in life and society And his poverty، immorality، shaking the foundations of the family and corrosive of the rule of corrupt politicians suffered. Egyptian women in his novels، the extremes of the social system and chaotic system، are hurt and suffering. They range from tradition to modernity and the crossing point between the old and new inhabitants lived And try a new definition of social values and family system to achieve harmony with the facts of history is Srshan.

This paper aims to be relying on Gerard Genette’s theory، a French theorist، in the categories of narrative time، studies the structure of analepsis in the novles «Do Donya» written by Goli Taraghi and «Zakira A ljassad» written by Ahlam Mosteghanemi، it is based on statistical analysis and The method attribute-an analysis، then it compares the date together. Included Genette’s categories، Without emotion، Internal، external and mixed analepses but this is other categories that include Sad، good and neutral analepses. The issue show that the structure of analepses in the novle «Zakira Aljassad» more complicated than it in the novle «Do Donya» wherefore analysis and emotional dimension of hero.

Symbolism is the art of expressing thoughts and emotions indirectly and، in fact، it is an instrument by which some authors use it to give depth to their works and reflect their intellectual and inner affairs and emotional states. Bozorg Alavi، as one of the great contemporary writers، in his stories including Gilemard novel، uses symbol and symbolism repeatedly. Gilemard is a novel with a political – social theme in critical realism style has been written influenced by social symbolism. The author in this article relying on principles of symbolism in various psychological، naturalistic، social and political domains… believes that emergence of social – political symbols of this novel is greater than psychological and naturalistic symbols and using some words and terminologies in symbolic concepts، the writer has depicted hits time social – political symbols. The present article، given this matter and also lack of serious research on discovering and analyzing symbols of this novel، tries to examine the social – political symbols of Gilemard and explain its interpretation and symbolic statements regarding the contextual signs.