Creation of poetic language using a system of text based on Lawndosky's semantic pairing system and controlled slide

The 1980s witnessed a methodological turn in semiotics. This change is rooted in philosophy, particularly phenomenology which is an attempt to invite such concepts as the presence, the sense-understanding process, and the body into definition of meaning. In the 1960s, semiotics was inward and mainly dispensed with life itself, and life experience, instead, it concentrated on the rigid discipline of structuralism. In fact, traditional narrative semiotics cuts the text from life itself and concerns itself with the text and discourse, a temporally and spatially attached subject of study, the discourse is stripped of its materiality. In other words, the text becomes a stage where meaning is exposed without being present. However, phenomenology brings back the present as a main factor of meaning. One good example is Lawndowsky's semiotics. By using semantic pairing system and controlled slide, he refers to an active relationship, yet perilous, between the subject and the "other" side of the text which is no longer considered as object but is regarded as a subject in itself. The dialectics of two subjects based on concepts such as embodied subject, sense-understanding relationship is formed and enables them to reveal their hidden potentials and pairing thus creating new meanings and values. This study is an attempt to show how the poetic discourse with such concepts as semantic pairing system and controlled slide reveals the dialectics of the poet putting himself as subject in danger in the face of poetic language which resists against the poet life experience, a resistance which creates aesthetic language. In short, the poet plays a dangerous game with language which results in the aesthetic creation of poetic discourse.