Approach of existentialist, phenomenology in Sarter Drama

The main part of the present research is a philosophical assignment in epistemology; therefore its main objective has been to investigate how literature and Sartre’s drama can affect philosophy. And, in view of the fact that Sartre, with a deep outlook in domain of philosophy, specially intellectual movements of manifestology and existentialism, has been regarded as owner of a specific and unique style and method and has been influential in his own age and even after his death as a well know and contemporary dramatist, this paper, therefore, assumes that through transformed reading and new horizons, studies the processes and stratagems of impressionability of Sartre from this philosophical papers and may reach to an acceptable response and takes a step in this direction. To investigate it there were used librarian method as well some philosophical movements: Manifestology and existentialism from the beginning up to Husserl and Heidegger as well it was considered its effect on Sartre. The results are as follows: all philosophical movements were linked to each other such as chains to make improved. Actually they went up through Husserl and Heidegger then Sartre recognized Husserl’s Manifestalogy and Heidegger’s existentialism. Then through combining both of them as important philosophical aspects, he could use them in his literature and dram, even he has already tried to develop them. The present paper is going to investigate the remarkable dramatic work, Devil & God by Sartre as an approach of above mentioned aspects.