Narrative Arrangements, Processes of Transmutation and Internalization in Attar's Mystical Poems

Creation of allegory and story in three poems of: Elahi Nameh – Mantegh-o-Teir – Mosibat Nameh is not mere and systematic form of story arrangements. In creation of these interrelated poems, the simple relations within them are turned from ordinary and coexisting levels into deep substitute relations. With creation of stories in several different levels and eliminating the original story and introducing secondary stories, the process will lead to deeper meaning. In this way, many stories can be replaced by others and the allegory will earn its meaning and identity by correlation between the members in different levels.
In this paper, we have tried to analyze the story arrangements, conversion processes, and creation of story elements specially characters as one of the most important elements in creation of spiritual poems of Attar and the way it becomes meaningful.
Understating oneself, circular structure, objectiveness, merging, permutation, process of going from multiplicity and plurality towards unity and death, and etc… are all meaningful allegory resemblance in poems of Attar.