A bilateral partnership between the director, the dramaturge and the audience in shaping the mise-en-scène

In order to present a diagram and model in shaping the mise-en-scène based on the audience’s expectations to show the relationship between the audiences, the dramèaturge and the director, this paper will focus on three main phases: (1) dramaturgy, (2) mise-en-scène, and (3) the quality and relationship between the pleasure of the audience, deadness and distance. This shows how the mise-en-scène is influenced through the Hozor-e-Teckniky. Hozor-e-Teckniky, which is related to the audience/ onlooker, can provide a direction for adjusting the theatrical elements in mise-en-scène. Based on receiving the audiences’ expectations and needs there is a mechanism to show how the directors can access to them. There are several ways and collaboration to understand and fix the theatrical elements by the directors. In this paper I am going to present a diagram which can also be revised throughout different aspects and pathways according to the any director’s work. The main question is: how the director can access to the audiences expectation in order to set his/her mise-en-scène? How many way are there?