Sensuality in Mathnavi

Sensuality as one of the archetypes in Persian literature has a long history of use. The origin of this form, from the forms of imagination, is one of the basic principles of thinking in Asharite's words, namely denying causality and believing in the absolute power of the right to the world and the violation of apparent causes. In this research, a sensational study is carried out in Rumi's Masnavi. At first, sensory types are distinguished from the point of view of the syntactic structure and the way in which certain senses are combined, and then sensual types in the masnavi based on the combination of senses (which are replaced by two senses of apparent pentagons or a combination of an abstract with the characteristic of one's senses Is apparent). Rumi has used sensuality to portray, translate meaning and influence on the audience, and this beautiful artistic stroke has doubled his word.