Genealogy of Lady sitting on Noah's ark (AS), in Islamic paintings

One of the oldest humankind myths is the flood story. Since its inception, this myth has attracted the attention of artists in various cultures. In most images related to the flood, a lady is among the passengers of the ark whose character and presence are in ambiguity.
What is the identity of a lady sitting on Noah's Ark? The problem is that writers are trying to respond to library studies.
Accordingly, based on the artwork of the remaining artists from the Middle East, Ancient Egypt, Phoenicians, Christians and Muslims, the choice of a statistical society of 29 images analyzed in a comparative and analytical manner.
The findings, with the genealogy of understanding the archetype of the "Lady sitting on Noah's ark", in Islamic, Christian and prehistoric paintings show that the image of the lady sitting on the Noah's ark, from the civilization Mesopotamia to the religious art and even the non-religious contemporary, is one of the oldest humanitarian archetype, and despite the religious semblance of this lady in the Muslim world, he has entered Islamic art as well. The influence and significance of this genealogy was to the extent that it entered the Shi'a world and, based on the hadith from the Prophet (pbuh), the distinguished and divine character of Hazrat Fatima (sa), is shown in this template.
Islam, as the last religion in the world, affirmed this myth and, with slight changes, introduced it as a major milestone in the religious history of mankind. Along with the written form and narrative of the myth, the traditional one developed from the mainstream illustration that came from Mesopotamia to Egypt, and from there to the Fynigans and Christians, and then into the Muslim world.