The iconography of a woman's image during the Qajar period, with an emphasis on journeys, paintings and photographs left over from this period

Since the early Qajar period, many travelers have been able to provide unbelievable information about women. The beauty of Iranian women is one of the points that European tourists have come to appreciate. We see the reflection of this beauty in the paintings of this period. But the point that attracts attention is the remarkable difference between the women's survivors of the Qajar period with travel writings and paintings of this period. What has been studied in this research is the study of the accuracy of the Qajar women's background based on archaeological evidence. The collection of materials in this library research is written in a historical-analytical way. Accordingly, the questions of this paper are as follows: How is the apparent image of women in Qajar period paintings compatible with other archaeological evidence? And if the difference in the apparent appearance of the women left behind in the archaeological evidence of the Qajar era, what factors or factors has caused this? The results of the surveys show that we are seeing some kind of difference between the pictures left with the paintings of this period. In the Qajar period, the painter's painter has tended to face the idealism and lack of simulation. , It can be said that women in the paintings of this period are instrumental in expressing the glory of power and monarchy.