Layout in the Images Attributed to Kamal al-Din Behzad in VersionBoustan Sa’di (893-894) as a template

The emergence and continuation of different styles and patterns for the layout is in all incidental age groups that we see every day. Ancient Persian culture has its own surviving artwork such as Behzad’s work, which can be a good model for publicity and social purposes. One must note that language and dialect type is as important as decorating pattern of the pages and the pattern’s cultural originality.The main purpose of this research is to study the principles of Behzad’s worksheet in the Herat School. The questionis, what is the composition and layout feature in the images and can it be a good model for today?The images of the Sa’di version of the National Museum of Cairo are a model for introducing a graphic-orientedapproach. Researchers in the field of painting attribute paintings of this edition to Behzad. The research methodologyis a descriptive and analytical paper which is a specialized consideration of the layout of the page such asMargin, Grid, Piling and Paste Image and Post, considering the capacity of the images. The findings indicate thatthe versions of the above version have the ability to make a proper layout for a layout. Based on the pillar systemof the same images, columns can be introduced. Similarly, observed placements and margins can be the guide forthe page designer in the same areas.