Naqali and Pansori; stagnation and dynamism (comparative study on two theatrical forms in Iran and Korea)

“Pansori” is one of the traditional theatrical forms in south Korea that has many similarities with Persian “Naqali”. This form of entertainment has been favored by different social classes since a long time ago and it has been performed in social, political and cultural events. While Naqali has a significant place in Persian performing arts history, this theatrical form has kept its existence in South Korea and has many performing similarities with Persian Naqali. But, the interesting speck is that this theatrical form in Korea, contrary to Naqali in Iran has been able to update itself with modern subjects, thus keeping its existence with many audiences. One of the main goals of this essay is to determine the reasons for the downturn in Naqali’s performance and to analyze those reasons. Studying and perceiving Pansori and comparing it with Naqali can familiarize us with an important theatrical format in another culture. Also considering the roots of ancient theatrical forms in eastern countries and categorizing their similarities can uncover a similar cultural pattern, thus developing a wider theoretical horizon. In this article, while familiarising with Pansori and its performing methods, we will mention the subjects, the stories and in that order, we will analyze the reasons for the mentioned thesis. The query of the research is to find out how with all the similarities to Naqali, Pansori was able to transform itself into a modernized and popular form of drama while this did not happen for Naqali. And if we can find a way to upgrade the performance form of Naqali with the results of this comparison.