Thematic analysis of the theme of the piece in the poems of the three poets of the constitutional period (Iraj Mirza, Malek al-Shaara Bahar, Parvin Etesami)

In Persian literature, various works have been created in order and prose, and each speaker has chosen style and style for his expression. A piece of Persian poetry format that has been used to express the inner world of poets. Perhaps the most important feature of the unit of unity is the issue because the poet in each piece seeks to express a subject. Also, the piece's format is rich in the validity of the diversity of the subject matter, and in this regard there is no limit; every subject that the poet likes to order, The face of the piece is a poem; from sugar and grief to cheerfulness and exhilaration, and even a personal drink for medication . The constitutional era is one of the most prevalent periods in the form of a piece. In this period, with the change of the social system, the attention of the literate from the mental issues to the objective and social issues focuses. The present research seeks to introduce the descriptive-analytical method using the statistical method; after reading the three parts of the Constitutional Revolution, Iraj Mirza, Malek Al-Shaara Bahar and Parvin Etesami, the most important subjects of the three poets' parts are introduced and in terms of the frequency of value The results of the research indicate that these three poets have been experimenting on subjects such as ethical, social and political issues; however, Parvin Etesami has not been involved in topics of enthusiasm, passion, enthusiasm, ethics, history, and parody. But most of the debates are in the form of a piece of it. The Shahr-e Bahar spring has only one debate and a slip in the form of a piece. Some of the jokes of Iraj Mirza and Bahar are used in this format from the words of the reiki.