A Study on Patterns in Dramatic Discourse from a Metahistorical Perspective
This study intends to answer a question that how can drama -as a literal framework- be a representation of surrounding discourse of historical and social issues. It seems that a necessity beyond history which is a thoughtful attention of the history and its comprehension is the primary path to connect the author’s mindset and his audience towards past and present events. This study is done with a purpose and identification of patterns on dramatic discourse in terms of history and social issues from the Hayden White’s Metahistory perspective. Since storification and language capacity are considered as discourse paradigms in Metahistorical theory, the hypothesis claims that drama enables historic discourse to be felt at the present time by means of narration and language amenities. The preset study has been executed through library research and data collection and analysis. The findings show that drama is able to disrupt the syntax of formal narration due to establishing a discourse discipline and to expand discourse borders between past and present via narrative amenities and language capacities.
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Structuralism Analysis of Narrative Sequences in Iranian Folktales through Claude Bremond’s Theory (Study sample: The story of Jahan Afrooz by Begami’s Darab Nameh)
Ali Zare, Mohamadjafar Yosefiyan Kenari *
Journal of Narrative Studies, -
Cinematic reality and the relationship between idea and aesthetic form in Jacques Rancière's thought Case study: The wind will Carry us
Fereshteh Paidarnobakht, MohammadJafar Yousefian Kenari *
Honar-Ha-Ye-Ziba: Honar-Ha-Ye Mosighi Va Namayeshi,