Stylistic Multiplicity in the Ancient Text of the Letter of Tensar

Persian prose comes from the ideas and style of Iranian writers. Some writings contain more than one thought and style in its writing. Tensar's letter is a work in Pahlavi language by Ibn al-Maqqaf in Arabic and Ibn Esfandiar translated into Persian and added to the letter. This letter illustrates an example of light multiplicity in a Persian work. The question that arises is that what features of the text appear lightly despite the writings of the three authors? Tensar's letter is somewhat uniform in content, but structurally different. The purpose of this article is to identify the stylistic multiple in Tensar's letter. This query is documented. According to the research, the authors of the letter have been involved in the writing structure of the text, such as the introduction, content, and old terms and vocabulary of the first author's style, such as to approach the letter to Islamic texts, In particular, the stylistic features of the third author are a mix of anecdotes and allegories from the second author's initiative, and an updated language of literary beauty, elaborate sentences and quotations from the like.