Narrative style of poetry "story of Sangestan" Akhavan on the validity of Simpson

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Article Type:
Research/Original Article (بدون رتبه معتبر)
Abstract:

Modern poetry "story of Sangestan" perspicacious poetry Mehdi Akhavan, one of the best narrative poem collection "of the Avesta", which in addition to having the characteristics of literary language due to its validity, in view of narratology is also important. The theme of this poem, story displacement is Sangestan citychr('39')s artistic and sometimes as a symbolic language expressed two pigeons. The objective poetry Akhavan described in this society of his age is deadlocked. In fact, Akhavan in the poetry of despair over that society has narrated. This article narrative style and narrative poetry modality of Sangestan According to "plane composed of fused narrative" Simpson is studied. There is evidence that in this poem, it was determined that due to changes in the views of different sections of the poem, sometimes a third-person narrator, sometimes reflective and sometimes a third person, the first person that has somehow been effective in advancing the narrative have. Therefore, the combination of these three types of narration narrator. Also, in this poetic story of Sangestan intermodal systems based on the Simpson-faceted system that include: system-sided affair, desire, knowledge and understanding to be explored. Simpson believes the four-dimensional system, regardless of what the narrator tells poem about what it says, you can view: positive, negative or neutral is. Search result modal systems in the poetry of Sangestan story is that because more of planar systems, "an" and "commitment" are used, it seems that the dominant modality in the lyrics of "positive view" is.

Language:
Persian
Published:
Journal of Theory Studies and Literary Types, Volume:1 Issue: 3, 2016
Pages:
141 to 156
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