A study of the stylistics of "Fitrat Mashhadi" poems

Among the types of criticism and linguistic and literary knowledge, stylistics is one of the methods of methodical criticism. He studied and researched and reproduced new theories and ideas of stylistics. This research tries to show the stylistic features of his poems in linguistic, literary and intellectual levels by reviewing the poems of one of the unknown poets of Indian style named Fitrat Mashhadi.

This article is based on library studies and has been done in a descriptive-analytical manner.

Mirza Moazeddin Mohammad Mousavi Khan Fitrat is the son of Mirza Fakhra and the granddaughter of one of the great scholars of Mashhad named "Mohammad Zaman Mashhadi" who was born in 1050 AH in Mashhad. He went to Isfahan as a young man and emigrated to India after his religious and literary studies. There he was noticed by Aurangzeb, the king of India, and became his son-in-law. He rose to high positions in India and died there in 1101 AH. His poems are composed in the style of Indian style. In his poems, the features of Indian style can be clearly seen, such as: frequency of recognition, application of equation style, use of various allusions to create new themes and images, etc.

The most frequent topics in the intellectual level of Mashhadi nature poems include the following: love, advice and wisdom, complaint, mysticism, etc. At the linguistic level, the use of weights such as sand and haze has caused the nature of nature poetry. The frequency of slang words is much higher than Arabic and Turkish words. The use of stylistic vocabulary has also given a special dimension to his poems. From a literary point of view, the use of similes, discernments, ambiguities and allusions is more frequent than other literary imaginations and arrays. In his similes, nature has used more types of rational similes to the senses, singular to singular, eloquent, and melodic than other types. The frequency of Meccan metaphors is also higher than that of approved metaphors.