Stylistics of Fereshteh Sari fiction

Style is the expression of a writer or poet. Stylistics has long been the focus of writers and critics. A careful study of a literary work, in addition to explaining the style of the creator of that work, acquaints us with the social, political, and cultural conditions of the times. Feminine style is writing from the mind and language of women. Fereshteh Sari is a graduate of Russian Computer and Literature. In the past decades, he has published various works in the field of poetry, fiction and translation. In this research, the following questions are answered: What are the linguistic features of Fereshteh Sari's works? What are the literary features of Sari stories? What is the connection between Sari's thoughts and ideas and the creation of his works? Why is the presence of women more prominent in the works of Fereshteh Sari? What are the strengths and weaknesses of Sari?

The present study is qualitative and its research method is descriptive-analytical. The method of collecting materials is done by the library method. The method was that first the important sources and books of stylistics, articles, dissertations and treatises of stylistics were studied. After that, based on Shamisa's stylistic indicators, Fereshteh Sari's fictional works were evaluated in three levels of language, literature and thinking. To express the stylistic frequency of the long stories of Sari Morvarid Khatoon, Nili Island, Tomb of Lovers, Mitra, Parisa and Fennel Fragrance (1307 pages) were examined.

In recent years, women have been able to help society identify their homosexual emotions, needs, abilities, and right to life, while gaining an undeniable place in Iranian literature. Contemporary women writers, especially their younger generations, have consciously defended their rights with their vast knowledge and insight, and have displayed the coordinates of the pillars of their city in front of the audience.

By studying the fictional works of Fereshteh Sari from the linguistic point of view and phonetic analysis, the highest percentage of words in all novels are nouns, adjectives and adverbs. In lexical analysis, words have the highest frequency of words. In syntactic analysis, the mediation frequency of verbs is limited. From a literary point of view, irony has the highest frequency. His allusions are of the Emma type, and most of them are common allusions that everyone is familiar with. From an intellectual point of view, most of the author's works have a social approach and the author has tried to approach the text of society.