The Pathology of Manouchehr Atashi's Non-Historicity of Poetry

The artistic relation that a poet's poetic heritage establishes with the history of his time is the constructor of constructions and forms that reveal the original shape of his literary face in comparison with other periods and other artistic systems. Atashi’s poems, apart from the its success in the powerful intersection of the indigenous spaces of the south – follower of Nima of the north - have not escaped any setbacks that could have arisen from the absence of a historical view of existence and modern man. Focusing on three passages from the two books Another Song (آهنگ دیگر) and Song of the Soil (آواز خاک), we will pay more attention to how he appeared in Daggers, Kisses and Covenants (خنجرها، بوسه‌ها و پیمان‌ها), Riding the Rose (گلگون‌سوار) and Reappearance (ظهور). Including the three domains of "history", "tragedy" and "majority literature", suffers from such a poverty in attitude that made the author take into account the literary theories of new critics and the classification of critical areas of poetry and explore their status and shortcomings.