Analysis on the Aesthetic Dimensions of the Shoja Ibn Mone Mosuli of pitcher

metalwork of Art - industry in Mosul city, was one of the most important metalworking schools in the Islamic period, especially in the sixth century and the seventh century AH and during the reign of the Al-Zangi family, and in particular, Badr al-Dīn is the most important ruler of this family. artists and artisans of this period managed to exploit and influence the techniques of making and decorating metalwork from past civilizations And the adjacent Sassanid civilization was introduced into the Islamic world,and in particular the Seljuk civilization and the metalworker of Khorasan,Producing the best works by utilizing creativity and innovation in the construction and decorating of native identity, culture and customs of Mosul. among the famous Mosul products, one can mention the watersheds of this school, one of the most important products in the field of metal containers. Shoja bin Monet Mousali is one of the most prominent waterfalls in the Mosul metals School. which, in terms of cognitive and aesthetic and sociological and ethnological values, can be a good source for identifying the society and the people of Mosul in the seventh century AH. The water has been decorated with the most advanced casting technology and is decorated with the most qualitative decorative design, that is, silver coinage. Stories motif-playing are the kind of common themes of the time of Mosul society (aristocratic and sublime class). the threads on the body of the water are: Sport, music, dance, hunting, fighting and dressing. This paper is of fundamental type, descriptive-analytical research method and library information gathering method.