Layered semiotics of place in the play “kharej –al- Serb” by Mohammad Al-Maghout based on the theory of “Farzan Sojudi”

Research "Semantics of Place in the play of “kharej-al-serb”by Mohammed Al-magout" Using a descriptive-analytic method based on Farzan Sujoudi's theory, he has studied the layered element of the place and has examined how it is related to other symbolic levels. The semantic analysis of the place in the play is important in that respect that Based on this method one can examine the explicit and implicit function of the place element in identifying the hidden talents of the text and the secondary concepts related to the cultural, political and economic values of society. In addition, by presenting a new reading of the literary work, he expressed the influence of this element in explaining the possibilities of textual creation and by examining how it relates to other levels, it has played a role in shaping dramatic discourse. The purpose of this study is to explain the most important Symptoms of place and how they are organized, Describe the function of the cues mentioned in the formation of text encryption systems such as scene, personality, conflict and time. On the other hand, the impact of this system in place of the representations is described. The purpose of this study is to answer the following questions: How has the place code been linked to other markup levels? What characteristic and structural components do these passwords have in the aforementioned play? The results of this research indicate the   place is formed in the form of a cryptocurrency layer consisting of numerous surfaces and deep-level structures. This layer contributes objectively and abstractly to the creation of dramatic discourse and the representation of social cultural meanings, sometimes it manifests physically on stage, sometimes its objective function is weakened and its mental aspects is enhanced. It can be said that understanding and interpreting space as a semiotic process is possible by studying how it correlates and interacts with the branding layers in the play. There is interplay between location and other layers. On the one hand, Place explicitly and implicitly promotes surfaces such as decor, light, sound, and so on. On the other hand, those levels have a great impact on the organization and selection of Place components.