Components of Indigenous Realism in Southern Fiction (Case Study: Moniro Ravanipour's novel "Ahl-e Ghargh")

Realism means realism, its purpose is to show the real, objective and, to narrate and analyze phenomena, with a cause-andeffect view through the precise re-creation of the details of life in a specific sense to refer to the nineteenth-century French literary movement. It implies and in the general sense refers to a literary style that continues to this day and is separable into different tendencies. One of the aesthetic manifestations of this school is the "climatic story", which often has a realistic aspect and proves that the main raw materials and the main foundation in the construction and texture of a literary work go back to the climatic origin of the author. "Ravanipour" is one of those writers whose novels encounter a high frequency of realist components. As one of the influential figures in the development of climatic literature, he has presented most of his works, especially the novel "Ahl-e Ghargh", in a completely indigenous geography under the school of realism with a magic trick. This research aims to use a descriptive-analytical approach to explore and analyze how the components of indigenous realism in the southern climate are reflected in the novel in two areas of structure and content. Findings show that realistic narrative relies on realistic principles, combining fictional imagination with the objective realities of society and the use of magical, mythical and symbolic elements, in a pleasant combination of indigenous realism and manifestation. The tricks of magical realism have led to the novel "Ahl-e Ghargh" and has placed Ravanipour among the climatic realists.