The aesthetic and social position of cinematic spaces based on the theories of Walter Benjamin

Interdisciplinary research creates a gap between the participating disciplines and focuses on areas of overlap between disciplines. In this research, the relationships are completely relative and the participant parties can proportionally benefit from the assumptions and the involved interdisciplinary. City and Cinema are two products of modernity that have similarities and a lot in common which provide the basis for interdisciplinary studies. Creating a flanuer character in the city is one of the characteristics of modernity; flanuer is a person who walks freely and discovers the city with no special purpose. In the world of movies and films, the cinemagoers can also be considered as a kind of flanuer; they are in another world while watching a movie; a world that has no definite beginning and end and its path is formed through the angles of the camera and the look of the director.This article seeks to explore the aesthetic and social situations of cinematic spaces based on the theories of Walters Benjamin.