A Study of the Content and Style of India's Ancient Romance (Ramayana) According to the translation of the poem by Mullah Masih Pani Petty

The Ramayana (Valmiki poem) is one of the oldest Indian epics written between the 3rd and 5th centuries BC and later restored in verse and prose. Mullah Masih Pani Petty, in the year (1050 AH) has recreated this Indian epic in order; In fact, Christ wrote this system in response to critics who considered him impure and infidel for his work in composing the system of Ram Vesita. The verses of this poem have a remarkable literary value and in composing Naat, it has become an example for many poets after him. The purpose of this study is to investigate the stylistic features of the Ramayana system.

The present study was based on the documentary method (library) and on the direct study of the Ramayana verses of the poem of Christ and related books. To conduct this research, we have extracted the stylistic, content, and epic features of the Ramayana epic, in detail and point by point, and have presented them briefly and usefully.

The Ramayana of Christ is a combination of Khorasanian, Iraqi and Indian styles. Inherited the epic and epic and heroic terms from the Khorasani style, the tenderness, burning and lyricism from the Iraqi style and the capture of foreign meanings and the thinness of its strange fantasies, is a relic of the Indian style, which of course the Indian Style The rest is style.

This system is full of mythological foundations and beliefs and also has themes such as theoretical mysticism, superficiality, love, moral concepts and folk beliefs. Punishment and repetition in the realm of rhetoric; Metaphor, metaphor, allusion, brevity, allusion, metaphor, and metaphor are among the most prominent literary arrays used in this system. Among the linguistic features of this system is the use of grammatical and linguistic features of Khorasani style.