Analyzing the ideological discourse of the contemporary identity with a critical stylistic approach

The memoir of the sad contemporaries is considered a distinguished work due to its unique features; In this memoir, Hazin presents his critical views on poetry and literary criticism, as well as his political, cultural and social analyzes; Thus, this work, in addition to being a valuable source for historical, cultural, literary, etc. research, has provided the opportunity for researchers to analyze the discourse of the text in order to contain and reflect the author"s thought mechanisms in a specific socio-cultural context. The main issue of this research is to explore the stylistic layers of the book Tazkereh al-Moaserin written by Hazin Lahiji in order to represent and analyze the hidden ideology in the linguistic and literary infrastructures of this text.

This research was conducted using descriptive, analytical and reasoning methods.

Hazin Lahiji, in narrating the realities of his time and the way of life and poetry of the poets mentioned in this memoir, shows great adherence to his moral, cultural and, above all, critical-literary beliefs. And it does not judge the situation, knowledge and character of poets.

The results of the research include this information: In the ideological layer, the author, while retelling the history, speaks openly and with prejudice about his personal judgments about the artistic and poetic skills of the poets and their moral characteristics. In terms of domination with Shiite nominal and spatial indicators, which emphasizes the author"s ideological tendencies, the abundance of moral codes in comparison with literary and religious codes has highlighted the place of morality in the author"s discourse components. In the syntactic layer, the author has explicitly and definitively sided with his thought and critical components by using simple and discrete sentences, active grammatical sound, and decisive news. At the rhetorical level, the multiplicity of use of rhetorical tools is less in the service of ideology and more in order to strengthen the beauty and expression of expression. At the level of pragmatics, the author has achieved his explicit and declarative purposes through expressive activity without utilizing communication and interactive paradigms, with monophonic discourse.