A comparative study of the conceptual metaphor of "love" with an ontological approach In the court of Mushtaq Isfahani and Qaani

In the contemporary approach, traditional definitions of metaphor have been criticized and a comprehensive definition has been established for it. One of these definitions is the cognitive linguistic approach. This approach takes a different approach to metaphor, as proposed by Lycoff and Johnson. In this approach, mental concepts are objectively manifested that the concept of love is one of these concepts. Love has a special place in the poetry of the poets of the literary return style, and this mental concept has been objectively tangible in the Qaani and eager attitude of Isfahani.

This research has been done by analytical-descriptive method; By extracting evidence and examples of the poets in question based on theories of cognitive linguistics, then by interpreting and analyzing them, extracting ontological metaphors in a general classification from the divan of the poets in question and comparing them to the audience. Description.

In the view of two poets, love as a human being has found a clear manifestation that this objectification of the concept of love in the eager Isfahani court has a negative charge and manifests as a murderer and bloodthirsty human being; While in Qaani poetry it has a high position.

The objectification of the concept of love in the divan of two poets is used almost identically as something that can be drunk, and in the objectification as elements of nature and objects, the attitudes of the two poets are close to each other, although their frequency is more pronounced in eager poetry. Also, the use of the concept in question as a directional metaphor is evident in the court of enthusiasm, and in the Qaani divan, the concept of love as a directional metaphor was not found