A study of the stylistics of "Mohammad Zohari" poems

Considering contemporary literary currents, the style of contemporary poetry has a high status. This research introduces one of the contemporary poets named Mohammad Zohari and examines the stylistic features in his poems.

This article is based on library studies and has been done in a descriptive-analytical manner.

Mohammad Zohari is one of the modernization poets who between the two decades of 1330 to 1350 by mastering and surrounding the old poetry and full ability in classical poetry, has modernized. The meanings of his poetry are a reflection of socio-political and popular issues. The descriptive expression is concise and short, and there are six collections of poems called "Island", "Complaint", "Night Letters and Raindrops", "Fist in the Pocket", "The Old Man Said", "... and the End" and also a few Has a lyric.

The use of the form of Nimayi poem is also remarkable in Zohari"s works and the most widely used prosody weight used in his poem is Bahr Ramal. The lines and rhymes in the poem are also common, and the additional lines and rhymes are less noticeable. Poisonous words are full of repetitions that increase the inner music of the poem. His similes are mostly "rational to sensory" and "sensory to sensory" and the similes of "rational to rational" or "sensory to rational" are few. Among the types of similes, the addition of similes has the highest number of statistics, and in the next rank, there are other similes such as concise, emphatic, plural and subtraction, and the lowest number of them is imaginary and illusory similes. In terms of frequency, metaphorical addition is the most frequent, and the approved metaphor is in the second place, and after that, frequency is the non-redundant Meccan metaphor. Nature and its manifestations are very prominent in poisonous poetry. Mystical terms are more or less seen in the poet"s poetry. All in all, Zohari is a poet whose people are full of socio-political concepts.