Introduction and style of the poem One Thousand and One Nights by Dehghan Samani

Abolfath Khan Dehghan Samani is one of the prominent poets of the literary return style of the Qajar period who has several works in order. His masterpiece is the poem Hazaravik Shab, in which the poet has arranged the translation of the story Hazaravik Shab by Abdul Latif Tassoji. In this research, with the aim of understanding the ability and art of the Samani peasant"s poetry, the style of his poem Hazaravik Shab is introduced and examined from the linguistic, literary and intellectual aspects.

Descriptive and analytical research method is the method used by the authors in this research. Also, 400 bits of this system have been selected for counting and plotting the frequency table.

The results indicate that in the system of Hezarovik Shab Dehghan Samani, the abundance of repetition and punctuation has caused the rhymes to be original. The variety of rhyming syllables and the existence of various phonetic coordinates, many puns and repetitions and other verbal arrays show the prominent level of the poet"s language. The poet has extensively added to the literary richness of the system in his use of various expressive arrays, the most important of which are proportionality, contradiction, and allusion, as well as his artistic use of imaginary forms (metaphor, simile, irony, and exaggeration).

The poet has been more imitative in using imaginary forms and in rare cases, he has had innovations and initiatives. At the intellectual level, while the poet"s religious ideas and Shiite beliefs have been seen, his inclination to mysticism is also evident. Extensive use of terms from various sciences indicates his abundant knowledge and information, and the abundance of customs and folk beliefs indicate that the poet is popular.