The study of the urban elements of the 80s and 90s of Tehran from the point of view of visual reading (morphology) function and function and its relationship with the components of Islamic art

During different periods of the contemporary history of Tehran, the volumes and urban sculptures of the squares have always had features that discovering what and why they are present in the urban space, can help the aesthetic reading of the works. .In the present study, the relationship between Islamic components and the relationship between them with sculpture and design of urban elements for practical purposes has been explained. The main purpose of this study is to investigate the effects and occurrence of Islamic components in urban elements of Tehran in the 80s and 90s. And this work has been done through the content classification of sculptures in Tehran, visual reading of selected works by hand (or species) and analysis of the function and function of sculpture in Tehran (80s and 90s) according to the components of Islamic art. Is.The statistical population in this study includes sculptures and urban elements of Tehran during the 80s and 90s (219 sculptures introduced by the Tehran Municipality Beautification Organization: Tehran Sculptures Book). The number of samples in the present study is 20 samples (for each decade, 10 samples were selected based on classes). Sampling method was also the method of choice.A study of the sculptures of the 80s and 90s in Tehran based on 5 selected components in the research model indicates that most of the sculptures have benefited from the history and geography of Iran and have been formed based on constructive beliefs.The main functions of these urban sculptures include raising the level of public awareness (transmitting cultural and religious concepts and values), creating visual beauty, identifying the place and creating a sense of belonging and peace.