The Manner of Perception, Cognition and Interaction in Capture Performance in Deleuze’s Approach
Author(s):
Article Type:
Research/Original Article (دارای رتبه معتبر)
Abstract:
Gilles Deleuze, as a postmodernist philosopher with a sophisticated expanded view on life, offers an approach to analyze behaves which leads to the understanding of human action and behavior. Reading performances as a part of interactive arts which have a valuable place among modern arts that have been able to make dynamist art, are successful in a Deleuze’s method. In the present study, the cognition and perception of conquest performance have been studied and the aesthetic rules have been searched in it, and then the obtained knowledge has been used to recognize human behaviors from the perspective of Deleuze's philosophy. Based on the analytical-descriptive method with Deleuze's approach, thus can be said that the performance of conquest as an artistic event provides for the audience, the opportunity to live in the moment, and since it is not a complete action. It is his empiricism, so it makes no sense to make an aesthetic judgment about it. The audience's reaction to the effect is bodily, and the audience, of the body-machine, by connecting to tools and people in the moment, forms a unique machine that also has special potentials, and the choice of the audience(s), Directs the course of the event; Therefore, the performance space has been created in the moment and it has a random orientation based on the Rhizome.
Keywords:
Audience , Gilles Deleuze , interaction , rhizome , Capture , performance
Language:
Persian
Published:
Journal of Epistemological Research, Volume:11 Issue: 1, 2022
Pages:
25 to 43
https://www.magiran.com/p2484572
سامانه نویسندگان
مقالات دیگری از این نویسنده (گان)
-
A Pluralistic Reflection on the Aristotelian Concept of Catharsis
Naeim Sadri, *, Mohammadreza Sharifzadeh
Journal of Western Philosophy, -
Reviewing and evaluating the application of Popper's falsificationism in regional planning studies
Farrooz Ataei, *, Mehdi Najafi Afra
Quarterly of Geography (Regional Planing),