Reflection of music in the stylistics in Moeini Kermanshahi poetry

Rahim Moeini Kermanshahi is one of the contemporary poets who has written songs for composers for many years and is familiar with the science of music and musicians. In this article, with the aim of examining the reflection of his familiarity with music, his poems have been studied in terms of music and the influence of music on his style of poetry.

The article has been done with library studies and has been written in a descriptive-analytical method by selecting poetic samples. The statistical population of the research is the book "Burn the candles (ey sham’eha besozid)", which is his first book of poetry and he composed it at the same time as composing a song.

Musical words are one of the stylistic features of Dr. Moeini's poetry that he has used in synthesis, imagery and lyrical content. His poems are full of poetic music. In Outer Music and lateral music, the choice of poetry measure in accordance with the rhythm of the music, the poetry measure of the distance, the verses of Moraddaf, the Leonine verse and balance. And in the internal music, the types of repetitions in the form of Alliteration, puns and repetitions at the level of the verse and the whole sonnet have made his poems suitable for scaling for the rhythm of the music.

Moeini Kermanshahi, because of his work with musicians and songwriters, has been able to consciously or unconsciously use musical words and expressions in a poetic, linguistic, literary and intellectual style levels, and in poetry he has written poems that are suitable for singing.