Quranic and Hadithic Intertextuality in the 9th Ode of Adibol-Mamalek Farahani

Intertextuality is a way of criticism in literary explains that no context is original and pure; but every context is a reflection of previous ones. Bakhtin, Julia Kristeva and Gérard Genette are great researchers who worked on interconnection between related works of literature. Genette divides intertextuality into three large categories: implicit or explicit; covert or overt; hidden or open. The Holy Quran is the most effective book to create Farsi texts and many poets were influenced by it and by Infallibles’ narratives. About ritual literature, obviously, the results should be clear in order to approach a deeper understanding of poems. Adib al-Mamalek Farahani, the remarkable poet of Constitutional Time, who was quietly familiar with Arabic literature, Quran and Infallibles’ narratives, used these sources especially in his political and social poets. He had poetical picture of Quranic contents sometimes; and offered new examples of misreading. In this article, by analytical-descriptive method and by looking at Gérard Genette’s criticism method, writer tried to summarily express rhymes of Adib al-Mamalek’s ninth ode, inspired by Intertextuality. These rhymes show his complete ability to comprehend Quran’s characters and words, and Infallibles’ narratives; mostly gained explicit way for better stimulus.