Critical analysis of the discourse of the position of the beloved in contemporary sonnets (1370s, 1380s, 1390s)

In this respect, romantic sonnets also have important connotations and show som realities in this period; Therefore, beloved place was investigated using some tools of Critical Discourse Analysis Approach in the sonnet over the last three decades . Thus, two theories were used for this purpose, Michael Hallidaychr('39')s theory to analyze the text the one and Norman Faircloughchr('39')s theory to explain its social dimensions the other. Among the text analysis tools,Ideational Metafunctional was chosen to focus on processes and naming purposes to reveal the attributes and names attributed to the lover, who is one of the main romantic discourse partner in the sonnet over the last three decades. What meaning these namings convey in term of being positive and negative؛ and Also, what processes or actions has been behind the lover؛ The result attempts to show that the poets of this period have used both general and specific names and other names for the beloved, including: special names and allusive and symbolic signs;adjectives substitute noun, Name of the city and geographical area where the beloved resides; metaphorical names emanating from natural elements; Organs to synecdoche; And metaphorical expressions used to describe the beloved physical and mental characteristics. The beloved of these sonnets plays the most important role in the form of relational processes of 43%, material 39% and mental 12%; In these processes, the beloved has appeared in the roles of actor 35%, carrier 20% and known 15%. The beloved participants is positively assessed in 71% of the processes.