Critical report on the currentologys of contemporary Persian poetry

After the literary revolution of Nima, numerous currents were born from Nimai's poetry and it merged with the currents and literary schools of the West and became popular. Following this, many studies and critiques were made about these poetic currents Due to the large number of available resources in the currentology of contemporary poetry Reviewing and comparing them will help us figure out which one is better In this article, we tried to critique these currentologys, and compare each of these books in comparison with each other and in the analytical review of each stream. The results show that the attempts to explain the evolution of contemporary poetry, although very useful, but in some of them there are fundamental drawbacks. Many of the critiques have been mere descriptions of a poetic current and At best, some critics have criticized poetry and interpreted poetic currents. The lack of a clear criterion in the classification of poets in the currents and even the naming of the currents and the lack of a clear time category for the contemporary poetic style, has caused confusion in some divisions.