Stylistics of the poem "Hossein and Del" and treatise "Mons-ul-Ashaq" from the point of view of Genet's intertextuality

The existence of mystical-allegorical elements and concepts in the works of poetry and prose of the fifth to ninth centuries clearly shows itself. Rationalism is the main element of these writings that the author constantly confronts reason and love. In Suhrawardi's "Mones –Al- Oshshagh" treatise, love is the child of reason and reason is the first creation of God; And the intellect finds meaning through love. The theme and style similar to this allegorical story is also evident in the lyrical poem "Hosn -O- Del" by Fattahi Neyshabouri. In addition, the composition and vocabulary of Suhrawardi's treatise have also found their way into it. Our aim in this article is to study the stylistics of Mones –Al- Oshshagh Suhrawardi's treatise and the system of Hosn -O- Del Fattahi Neyshabouri through intertextuality with Gerard Genett's theory to the extent of the influence of Neyshabouri Fattahi's style on Suhrawardi and the use of innovative and rhetorical words. Get Suhrawardi in our system. The present research has been done analytically-descriptively using the library method. As a result, it has been pointed out that Fattahi, in terms of the mystical thought and style of the ninth century, has tried to use words that convey the burden of mystical meaning. Considering the lexical and compositional study of the poem "Hosn -O- Del" we see the profound influence of Suhrawardi's rhetorical style. From the perspective of intertextuality, Fattahi has followed Suhrawardi in explicit, implicit and implicit forms.