Investigating the Components of Nothingness in Contrast with Didactic Politeness in Poetry of Nosrat Rahmani, Freydoon Moshiri and Nader Naderpour

In the literary institution of contemporary poetry, with the break from classical literature and socio-cultural changes in intellectual style, the themes of nothingness grew, this issue expanded with the social and political developments of the society, and especially in the 1930s after the coup, it became one of the main motifs of poetry. Some poets only cared about worldly life and turned to nihilism in the dead ends of personal and social life and wrote poetry in opposition to morality. In this article, the contrast that can be seen in the poetry of poets on this subject has been examined. The method of studying and reviewing sources is library. Samples of poetry from three contemporary poets: Freydoon Moshiri, Nosrat Rahmani and Nader Naderpour have been selected. The results of the survey show that poets at a period of their life history, especially in the 1930s, when the society is involved in the tensions resulting from the August 28 coup, turned to the ideas of nothingness and rejected the morals of the society. Atheism, tendency to despair and death thoughts in life, hedonism and eroticism, going to pubs and getting drunk, love for opium, are the most important components of nihilism in opposition to the moral teaching poetry that can be seen in their poems. In comparison, Nosrat Rahmani's poem is excellent in this motif.