Visual capabilities of the story of the grave and cradle by Gholam Hossein Saedi in Iranian cinema

The collection of graves and cradles is a collection of short stories by Gholam Hossein Saedi, which was published in 1345 and has been written in three short pieces, which are: Bee House, Shadow to Shadow and Garbage. In the stories of this collection, the most hidden behaviors and the most unspeakable human behavior and material are expressed with a very dignified pen and prose. The characters in these stories are captives of poverty, corruption, misery, and limited sexual pleasure. Saedi, who belongs to the lower classes and strata of society and witnessed the migration of peasants and unemployed villagers to the city and living in Halabiabad, in this series intends to represent the dangers lurking in the way of these unbridled migrations, can Create an obstacle and at least give a warning (Mehdipour Omrani, 132-3: 1382). In the following, the structure or morphology of the stories in this collection is examined based on the narratological theory of Tzutan Todorov.

This research has been done by descriptive-analytical method and based on library data retrieval.

The research findings show that in the study of structural analysis of Gholam Hossein Saedi's stories, usually the atmosphere of the story of fear and panic, people trapped in poverty and misery, which eventually reach a balance.