Investigating the aspects of Moflaq Tehrani's effectiveness by Anvari Abivardi

All the things that exist in the world have points of commonality and difference that distinguish them from each other or connect them together. The world of poetry and literature is not exempt from this principle. Every work that is created in any subject, must have differences and similarities with the works written in that subject. Maybe the works that will be written in the future have common or different features with these works. Anvari Abiverdi is one of the most prominent poets of the 6th century and Muflaq Tehrani is one of the unknown poets of the return era. This research aims to compare these two poets in fields such as poetic forms, themes, images and prosody, and show the influence of Anvari by Moflag Tehrani.

This research was conducted in a qualitative and quantitative way, studying library resources, and using content analysis, structural and comparative analysis. At first, the works and sources related to the subject have been carefully studied, then we have examined the poetry of these two poets, and finally, a comparison has been made in terms of prosody, themes and interpretations, etc. Is.

Most of Anvari's and Moflaq's poems are in the form of odes and have themes of praise and praise. Anuri and Mufalaq are considered to be the leaders of their era with their beautiful, long and beautiful praises with new and original themes. The odes of these two often have praise, praise and immortality. Anvari and Muflaq have performed a complete artistic performance in the field of Khumrieh Sarai. Anvari satirizes with indirect language and expression and by using images; But Muflaq is very reckless and insolent, he opens his tongue to sarcasm. Citing Quranic verses and hadiths is one of the other stylistic features of Anvari's and Moflaq's poetry.

Anvari, who is one of the prominent figures of Persian literature, chooses appropriate weight in his poems according to the subject of the poem, and this makes his poems seem beautiful and pleasant. Moflaq Tehrani, who had in mind to write poetry like Anvari, imitates him in choosing prosody weights and creates beautiful poems. Also, the two seas of Ramal and Hazaj are among the most used seas in the poems of these two poets. They have used Bahre Ramal in their poems for praise and in their sonnets generally to express grief, divorce, parting, and lamentation. The choice of Bahr Hazaj by two poets was directly related to their life conditions.